Hauntology, spectres and phantoms
Pourquoi ce travail est-il dans la base ?
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Aucune affiliation canadienne. Une base fondée sur la seule affiliation (le devis habituel) n'aurait jamais vu ce travail. C'est l'un des travaux qui justifient l'inversion de la base.
Scores machine (provisoires)
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
- Écart entre enseignants
- 0,345 · la distance entre les deux têtes enseignantes sur ce seul travail
- Statut de validation
score_only:v0-immature-baseline· tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle
Résumé
Hauntology, as a trend in recent critical and psychoanalytical work, has two distinct, related, and to some extent incompatible sources. The word itself, in its French form hantologie, was coined by Jacques Derrida in his Spectres de Marx (1993), which has rapidly become one of the most controversial and influential works of his later period. 1 Marxist and leftleaning readers have been less than enthusiastic about Derrida's claim that deconstruction was all along a radicalization of Marx's legacy, their responses ranging, as Michael Sprinker puts it, 'from skepticism, to ire, to outright contempt'. 2 But in literary critical circles, Derrida's rehabilitation of ghosts as a respectable subject of enquiry has proved to be extraordinarily fertile. Hauntology supplants its near-homonym ontology, replacing the priority of being and presence with the figure of the ghost as that which is neither present nor absent, neither dead nor alive. Attending to the ghost is an ethical injunction insofar as it occupies the place of the Levinasian Other: a wholly irrecuperable intrusion in our world, which is not comprehensible within our available intellectual frameworks, but whose otherness we are responsible for preserving. Hauntology is thus related to, and represents a new aspect of, the ethical turn of deconstruction which has been palpable for at least two decades. It has nothing to do with whether or not one believes in ghosts, as Fredric Jameson explains: Spectrality does not involve the conviction that ghosts exist or that the past (and maybe even the future they offer to prophesy) is still very much alive and at work, within the living present: all it says, if it can be thought to speak, is that the living present is scarcely as self-sufficient as it claims to be; that we would do well not to count on its density and solidity, which might under exceptional circumstances betray us. 3 The second, chronologically prior yet less acknowledged, source of hauntology is the work of psychoanalysts Nicolas Abraham and Maria
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
La notice
- Revue
- French Studies
- Thématique
- Radiology practices and education
- Domaine
- Medicine
- Établissements canadiens
- —
- Organismes subventionnaires
- Queen's UniversityMcGill UniversityUniversity of Minnesota
- Mots-clés
- Art
- Résumé présent dans OpenAlex
- oui