Notice bibliographique
Résumé
Comparative Literature and the Adjunct Jonathan A. Allan The opportunity for a junior scholar to reflect on the state of the discipline is a fascinating challenge. It requires that I look towards a future that I hope will, perhaps, be there, even though strategically, I know, that I have to be aware of its eventual demise. During my time at the Centre for Comparative Literature at the University of Toronto, Dean Meric Gertler, now President of the University, proposed the closure of the Centre for Comparative Literature. International rebuke soon followed and thanks to the efforts of many, but most especially students, the Centre for Comparative Literature was saved. Tenured faculty continue to teach comfortably in their desired fields of research, but what happens to the un-tenured, those for whom the dream of tenure is akin to tilting at windmills? What happens to those of us who fought to save a Centre for Comparative Literature in this economy, in this job market, which does not and cannot reflect the needs or desires of graduates of that Centre? Today, reflecting on Comparative Literature, as the discipline that granted my doctorate, I am less and less convinced of a disciplinary future. Perhaps, today, I might concede that Dr. Gertler was correct in his assertion that we have been “too successful” and have made ourselves “redundant.” I’m not convinced, however, that is the case, because more often than not, when I converse with colleagues “outside” of Comparative Literature, they largely assume that I “compare” “literatures.” Colleagues in literature assume that comparatists know bits and pieces of the “literatures” that they “compare.” Simply put, we have failed as a discipline to explain ourselves to the academic community at large, and the situation in Canada is particularly dire: we have but a handful of Comparative Literature programs and nearly all are threatened with closure. What then does the future look like for Comparative Literature, if there is a future at all? I wish I could say that the future looks bright, that hope is on the horizon, but I [End Page 220] cannot. I just do not see it. Comparative Literature as a discipline needs to do what it does well: reflect on itself. Unlike the previous declarations of the viability of the discipline, we need to ask less about how we see ourselves and how those beyond comparative literature see us. Are we, as one journalist once suggested, “academe’s stepchild”? Have we become “redundant”? And how do we make arguments for our viability that are not about our position as victim of austere economies? Comparative Literature, when I began in the field, was an escape from the tyranny of the rigidity of national literatures (or, at least, that is how I imagined it). At the time, I was busy flirting with theory, national literatures, competing colonialisms, varied gender and sexual expressions across time and space, and it seemed that Comparative Literature was the ideal place for this literary misfit—after all, Comparative Literature allowed its students to ask broad, sweeping questions. This was in 2006, before the so-called economic recession. Today, Comparative Literature is less interested, it seems to me, in the big questions that once motivated it, and more interested in “safe” research that will lead to tenured jobs. All of this, I’d suggest, is nothing more than what Lauren Berlant calls “cruel optimism.” We graduate students and recent graduates, supervised by tenured faculty who have achieved the dream, are clinging to and “maintaining an attachment to a significantly problematic object” (Berlant 24). We have clung to the idea that there is a future in the academy and that we will—eventually—find a place. If Comparative Literature is to have a future in which it thrives, it will require that tenured faculty in Comparative Literature do more than commit to their own research agendas; it will require that those faculty fight vociferously for the future of the discipline for their students. In other words, supervising a thesis is not finished when a student defends, but only becomes finished once a student is placed in a gainfully employed position, inside or outside of the academy. We must train...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,008 | 0,024 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,003 | 0,004 |
| Études des sciences et des technologies | 0,015 | 0,026 |
| Communication savante | 0,019 | 0,019 |
| Science ouverte | 0,001 | 0,009 |
| Intégrité de la recherche | 0,006 | 0,008 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,038 | 0,005 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».