Dancing Diaspora: Chineseness as a Moving Concept

Click to increase image sizeClick to decrease image size Notes 1. See Ting-Ting Chang, "Choreographing the Peacock: Gender, Ethnicity, and National Identity in Chinese Ethnic Dance" (doctoral dissertation, University of California, Riverside, 2008); Ya-Ping Chen, "Dance History and Cultural Politics: A Study of Contemporary Dance in Taiwan, 1930s–1997" (doctoral dissertation, New York University, 2003); Duanzi Cheng, "Musing on the Ruptures: Examining the Circulations of Chinese Modern Dance in the U.S." (doctoral dissertation, University of California, Riverside, 2011); William Lau, "The Chinese Dance Experience in Canadian Society: An Investigation of Four Chinese Dance Groups in Toronto" (doctoral dissertation, York University, Canada, 1991); Emily Elissa Wilcox, "The Dialectics of Virtuosity: Dance in the People's Republic of China, 1949–2009" (doctoral dissertation, University of California, Berkeley, 2011). 2. Although there are only two published academic books devoted to Asian American dance, see the following journal articles: Ketu Katrak, "'Cultural Translation' of Bharata Natyam into 'Contemporary Indian Dance': Second‐Generation South Asian Americans and Cultural Politics in Diasporic Locations," South Asian Popular Culture, vol. 2, no. 2 (2004): 79–102; Anita Kumar, "What's the Matter?: Shakti's (Re)Collection of Race, Nationhood, and Gender," The Drama Review, vol. 50, no. 4 (2006): 72–95; Hui Wilcox, "Movement in Spaces of Liminality: Chinese Dance and Immigrant Identities," Ethnic and Racial Studies, vol. 34, no. 2 (2011): 314–32; Su-Ling Wong, "Dancing in the Diaspora: Cultural Long-Distance Nationalism and the Staging of Chineseness by San Francisco's Chinese Folk Dance Association," Journal of Transnational American Studies, vol. 2, no. 1 (2010): 1–35. 3. Yutian Wong, Choreographing Asian America (Middletown, Conn.: Wesleyan University Press, 2010), 35. 4. Wang Kefen, The History of Chinese Dance (Beijing: Foreign Language Press, 1985). 5. Richard Glasstone, The Story of Dai Ailian: Icon of Chinese Folk Dance, Pioneer of Chinese Ballet (Alton, Hants.: Dance Books, 2007). 6. Priya Srinivasan, Sweating Saris: Indian Dance as Transnational Labor (Philadelphia: Temple University Press, 2011). 7. Yatin Lin, "Choreographing a Flexible Taiwan: Cloud Gate Dance Theatre and Taiwan's Changing Identity," in The Routledge Dance Studies Reader, 2nd ed., ed. Alexandra Carter and Janet O'Shea (New York: Routledge, 2010), 250–60. 8. Ackbar Abbas, Hong Kong: Culture and the Politics of Disappearance (Minneapolis: University of Minnesota Press, 1997), 1. 9. The reference is to Michel S. Laguerre, The Global Ethnopolis: Chinatown, Japantown and Manilatown in American Society (New York: St. Martin's Press, 2000). 10. This term is from Wei Li, "Building Ethnoburbia: The Emergence and Manifestation of the Chinese Ethnoburb in Los Angeles' San Gabriel Valley," Journal of Asian American Studies, vol. 2, no. 1 (February 1999): 1–28.

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