MétaCan
Menu
Retour à la cohorte
Enregistrement W2001616882 · doi:10.1353/nin.2001.0057

From Baseballs to Brassieres: The Use of Baseball in Magazine Advertising, 1890-1960

2001· article· en· W2001616882 sur OpenAlex
Ted Hathaway

Pourquoi ce travail est dans la base

Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.

venuePublié dans une revue dont le pays d'attache est le Canada.
no affAucune affiliation canadienne : ce travail est invisible pour une base fondée sur la seule affiliation.
Aucune affiliation canadienne. Une base fondée sur la seule affiliation (le devis habituel) n'aurait jamais vu ce travail. C'est l'un des travaux qui justifient l'inversion de la base.

Notice bibliographique

RevueNine · 2001
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueAmerican Sports and Literature
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésAdvertisingLeagueClothingSurpriseBroadcasting (networking)Television advertisingEngineeringBusinessPolitical scienceSociologyLaw

Résumé

récupéré en direct d'OpenAlex

From Baseballs to BrassieresThe Use of Baseball in Magazine Advertising, 1890-1960 Ted Hathaway (bio) When we think of advertising, we usually mean advertising on television. Slogans, logos, printed ads, radio promos, and junk mail notwithstanding, it is the ubiquitous TV commercial that stands out as the quintessential form of advertising. With this in mind, it should not come as a surprise that, even though advertising has been around for a long time, it wasn't until television came along that advertising really had any significance in the baseball world. Over forty years ago, James Farrell observed that television was the chief force influencing baseball. What he meant was that advertising was the chief force influencing baseball. Even as early as the late 1950s, advertising fees were in the tens of millions, and Major League clubs were receiving several million of this amount directly through broadcasting rights. One baseball executive stated at the time, "The beer companies temporarily saved baseball."1 Not long ago, there was much concern and anticipation raised in baseball circles regarding the prospect of allowing players to wear advertising imagery on their uniforms. With advertising emblazoned on billboards inside and outside stadiums, scattered through programs, yearbooks, and even the backs of tickets, and covering the outfield walls and the backstops (not to mention radio and television advertising and broadcaster pitches for the sake of the listening and viewing audiences), the clothing worn by the players themselves may well be the last frontier for advertising and baseball. Advertising owns Major League Baseball. In light of this, it may be difficult to imagine a time when baseball was a common theme in national advertising, yet baseball itself neither profited from nor was significantly influenced by this advertising. The Age of Innocence During the first half of the nineteenth, and particularly after World War I, the magazine was perhaps the most important national advertising medium, [End Page 64] rivaled only by radio, and then only by the 1940s. Yet, teams could not profit from baseball-themed advertising in magazines because the advertising couldn't be tied to broadcasting rights, and player endorsement contracts paid little compared with what they bring now. In a sense, this was the "age of innocence" in baseball advertising. This is somewhat ironic, since the magazine, particularly the national magazine, was born of advertising. Although it is essentially an eighteenth-century invention, even as late as the start of the Civil War there were only a handful of national magazines, such as Harper's and the Atlantic Monthly. But the advent of individual product packaging, improved distribution brought by railways, and product identification through trade marking really opened the door to advertising, in particular, national advertising. In the 1870s and 1880s, publishers began to realize the profit potential of selling advertising space, and indeed, whole new magazines were created for the express purpose of selling such space. Ladies Home Journal, Cosmopolitan, Collier's, the Saturday Evening Post, and American Magazine, to name a few, all either got their start or really took off during this time by candidly promoting themselves to the business world as vehicles for advertising.2 Early Baseball Advertising By the 1890s, magazines were a growing medium for national advertising. However, baseball advertising was limited largely to sporting goods and instructional literature. The messages were simple and direct, almost indistinguishable from a modern classified ad, with little in the way of illustration. Endorsements of a kind can be found very early on but are exceedingly rare, and it was not until shortly before World War I that anything we would recognize as truly being endorsements appeared. Apart from the promotion of sporting goods, baseball's only role in advertising at this time was metaphorical. Baseball was used as a symbol for health, strength, and vitality. This was a device advertisers would use for decades. We can also see the beginnings of baseball as an American cultural institution during this time period. Through the use of baseball terminology, the game had already become ingrained in everyday speech: "It's a hit!" "Out!" "They ' re safe" These expressions and similar ones were already common phrases in advertising and continue to be so even...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesCharge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,110
Score d'incertitude au seuil0,894

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,1070,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,030
Tête enseignante GPT0,233
Écart entre enseignants0,203 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle