Diary of Lights by Adrienne Kennedy: with Lyrics by Sandy Chapin
Notice bibliographique
Résumé
Diary of Lights by Adrienne Kennedy:with Lyrics by Sandy Chapin Adrienne Kennedy (bio) and Sandy Chapin (bio) Production History Diary of Lights: New York about 1955 was written by Adrienne Kennedy in 1973 and premiered under the title Diary of Lights: 1954, A New Jazz Musical, 19-20, 22-25 May 1978, at the Jane Addams Theatre located at 3212 N. Broadway in Chicago. Hull House / Columbia College Theatre / Music Center and Paul Carter Harrison were the producers. It was directed by June Pyskacek; the lyrics were written by Sandy Chapin; the music was composed and arranged by Isaiah Sanders; the set design was by Michael Merritt; the lighting design was by Michael Merritt; the costume design was by Kaye Nottbusch; the choreography was by Carol Delk; the technical director was Gerry Stephens; the technical assistant was Bundy Trinz; the assistant to the director was Rodney Sampson; the stage manager was Michael Smith; the director of the costume shop was Yvonne Jackson; and the musical director was Isaiah Sanders. The musicians were as follows: Wallace McMillian (reeds), Alsoncina Lee, Jr. (bass), Kenny Crutchfield (drums), Keith Henderson (guitar), and Isaiah Sanders (piano). The cast was as follows: Billie Lia Nicine McCoo Eddie Wilson Cain Mel Paul Carr Aaron Brian Crow Roy Gary Logan Margo Lynette Carstens Mavis Adrienne Hobbs Ellen Gwendolyn Johnson Aisha Kelly Richardson Mohammed Ben White Chorus Steven Douglas Chorus Roberta Damato Chorus Kimberly Slaughter [End Page 100] Diary of Lights received its second production at CitiRep, Aaron Davis Hall, City College New York, 5-14 June 1987. It was billed as Diary of Lights: A Musical without Songs and directed by David Willinger, with music by Gib Veconi and choreography by Tracy Hendryx. The cast was as follows: Billie Tracy Kindell (Swanston) Eddie Allen Griggsby Aaron David Fritsch Roy Ivan Moore Margo Gabrielle Danchickas Mavis Janine Lucas Ellen Lori Brown Aisha Tracy Hendrickx Mohammed Kenny Moore Production history by: JOHANNA FRANK [End Page 101] Diary of Lights:New York about 1955 Adrienne Kennedy (bio) Caution: Copyright Adrienne Kennedy. This script is protected under the copyright laws of the Canada, the United States and all other countries of the copyright union. Changes to the script are forbidden without written consent of the author. Rights to produce, film, or record in any medium, in any language, by any group, are retained by the author. The moral right of the author has been asserted. For performance rights, contact the author, Adrienne Kennedy c/o Buddy Thomas, ICM, 825 Eighth Avenue, New York, NY 10019. Dramatis Personae BILLIE, comic sweet and ultimately very serious; Macy type cotton dress white wedgies EDDIE, very serious; has on a V neck sweater and khakis AARON, seersucker jacket and trousers MARGO, very intellectual and bohemian; Mexican wedding shirt very long straight hair smokes cigars wears sandals MAVIS, very pretty; white dress and red stole very wavy black hair piled on top of her head in curls ROY, frank; seersucker suit ELLEN MEL, very well read AISHA MOHAMMED, shy Author's notes: All are dynamic and alive and you wish you were with them that night. Margo Aaron and Mel are white. Aisha and Mohammed are from Cairo, Egypt. Each scene is set by larger than life lights that are the replica of the real life lights of New York Places. Most often the colors are yellows pink oranges whites red and purple. The dialogue is collective and almost a song. Their whole youthful summer is a dance and the dances all reflect this. All the lights glitter with a life of their own. [End Page 102] Places: The Thalia Upper Broadway Bancroft Hall, Columbia University MacDougal Street Rienzi's Coffee House Washington Sq. Park Metropole Palladium Birdland Scene One: Night Lights: Thalia (The stage is bare; above are Thalia lights. Lights are high and glitter like stars. EDDIE and BILLIE, a young married "Negro" couple. AARON and MARGO, a young Jewish couple emerge from Thalia. Thalia music, movie music. The four go into a dance; As they finish the dance, they start to talk to each other. They talk collectively as in a chorus with great exhilaration. They are in front of the theatre.) 1...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,001 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».