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Enregistrement W2025289385 · doi:10.1353/lab.2006.0063

Dancing on Live Embers: Challenging Racism in Organizations (review)

2007· article· en· W2025289385 sur OpenAlex

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Notice bibliographique

RevueLabor Studies Journal · 2007
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueLabor Movements and Unions
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésRacismSociologyOppressionDanceGender studiesPower (physics)Public relationsLawPolitical sciencePoliticsVisual artsArt

Résumé

récupéré en direct d'OpenAlex

Reviewed by: Dancing on Live Embers: Challenging Racism in Organizations Susan Winning Dancing on Live Embers: Challenging Racism in Organizations. By Tina Lopes and Barb Thomas . Toronto, Ontario: Between the Lines, 2006. 284 pp. $26.95(CDN) paper. From the very first section of Tina Lopes and Barb Thomas' insightful new book Dancing on Live Embers: Challenging Racism in Organizations, I was fully engaged and challenged. Any reader of the book who is a labor educator, a member of a community-based social justice organization, or a union activist or leader can't help but find themselves applying the authors' analysis to their own experience. Dancing on Live Embers is a combination of thought provoking and comprehensive analyses of organizational racism, along with concrete tools to help people create more equitable organizations. Lopes and Thomas begin with a discussion of what racial equity work is and then identify the players — which include people with organizational power, and even more importantly, those people most impacted by the racism in the organization. The authors briefly review the shift in the approach to dealing with racism, away from multi-culturalism and "celebrating diversity" (neither of which challenges the inequities of power) and toward an anti-racist/anti-oppression or equity framework. The second and longest section of the book is the most concrete and provides the most direct application. The authors suggest three phases in anti-racism organizational-change work. The first, "Getting Beyond Training," [End Page 103] challenges a form of denial that assumes training is enough; the second phase, "Getting to How Things Work," is where organizations begin to undertake some changes in their structures and policies. The final phase, "Keeping Racial Equity on the Agenda," looks critically at the uneven progress the most committed anti-racist organizations make. The format for each phase is similar: several case studies, followed by questions that analyze the inequities of power in the situation and identify openings for actions that could shift the power relationships. The issue of who has power, how power manifests itself, and how to shift power is present throughout. The authors follow each case study with their own analysis and suggested interventions or strategies. These tools, firmly based in the principles of popular education, acknowledge the complexity and difficulty of doing this work, yet offer a pathway for anti-racist educators/leaders/activists to move forward in changing their organizations. Each phase ends with a true story of an organization that has struggled to reach its goals. These stories are very powerful and provide encouragement that this challenging work can be done, along with some sense of what it takes to do it. One of the most powerful and certainly most unusual aspects of the book is the "Between Us" section. This is a series of exchanges between the white author and the racialized author, whose organizational anti-racism work together serves as the basis for much of the book's analyses. These honest and challenging exchanges show how racism and power inequities manifest themselves during the process of doing anti-racist work. People who truly want to create "more equitable organizations," especially those who have more power, must examine their own behavior as an integral aspect of doing this work. Dancing on Embers can be a very useful guide in that pursuit. Susan Winning University of Massachusetts, Lowell Copyright © 2007 the West Virginia University Press, for the United Association for Labor Studies

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Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,002
score de la tête « metaresearch » (Gemma)0,001
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Qualitatif · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,433
Score d'incertitude au seuil0,807

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0020,001
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,001
Études des sciences et des technologies0,0010,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,029
Tête enseignante GPT0,377
Écart entre enseignants0,348 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle