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Enregistrement W2037202512 · doi:10.1353/sew.2014.0104

From a Bygone Age

2014· article· en· W2037202512 sur OpenAlex
Warner Berthoff

Pourquoi ce travail est dans la base

Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.

aboutLe titre ou le résumé porte un signal canadien du lexique géographique.
no affAucune affiliation canadienne : ce travail est invisible pour une base fondée sur la seule affiliation.
Aucune affiliation canadienne. Une base fondée sur la seule affiliation (le devis habituel) n'aurait jamais vu ce travail. C'est l'un des travaux qui justifient l'inversion de la base.

Notice bibliographique

Revue˜The œSewanee review · 2014
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueAmerican and British Literature Analysis
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésMemoirHistoryGermanArt historyBiographyArcadiaClassicsColonialismArtLiteratureGenealogy

Résumé

récupéré en direct d'OpenAlex

From a Bygone Age Warner Berthoff (bio) The transatlantic tourists of Mark Twain’s Innocents Abroad were distinguished by invincible ignorance: of their surroundings, of art, music, history, and especially of the foreign languages assaulting their confused American ears. But there were notable exceptions to this provincialism among that small minority of Americans who not only knew their way around Europe but made their lives there. Of these none were more at home abroad than Margaret Terry Chanler, whose double memoir, Roman Spring (1934) and Autumn in the Valley (1936), records an extraordinary life in the transnational social and intellectual beau monde of the late-nineteenth and early-twentieth centuries. Margaret Chanler makes a brief appearance in Edith Wharton’s A Backward Glance and Van Wyck Brooks’s The Dream of Arcadia, but she is not to be found in the Harvard University Press’s Notable American Women or in the Dictionary of American Biography. She is worthy of a place in both. Born in 1862, daughter of a Rome-based American painter and descended from the Connecticut clockmaker Eli Terry, Margaret’s education and rearing were polylingual. She was tutored in Rome with French and German governesses and came of age fluent in four languages. “I cannot remember,” she wrote, “having to learn to speak French, German, or Italian. English was taken for granted. We spoke it with a foreign accent, but it was the mother tongue. To this day, I cannot refrain from a sense of pity for those who grow up with only one language. What pleasure do I not owe to this freedom of the Western world!” A freedom, it may be said, accessible up to the First World War to persons of sufficient means and cultivation but increasingly curtailed if not closed off in the 1920s and ’30s, and barely imaginable in our own beleaguered, mass-entertainment century. With a gift for music Margaret studied piano with an eminent pupil of Franz Liszt, and she took special delight in mastering a Bach gavotte, a Scarlatti scherzo. But, when in her girlhood Liszt himself was a household visitor, a sprained wrist spared her the agony, as she remembered, of having to perform in his presence. Her family’s home in the Palazzo Odescalchi, and the presence there of her older half-brother, the novelist F. Marion Crawford, brought a stream of distinguished visitors, among them Henry James, Henry Adams and his friend Moncton Milnes, the travel writer Augustus Hare, the actress Fanny Kemble, and Edward Lear, who sang her “The Owl and the Pussycat” and made her a nonsense alphabet, a to z, drawn on odd scraps of paper. In the early 1880s Margaret found herself in love with a spirited Harvard [End Page 661] graduate of the class of 1885, Winthrop Chanler, and they were married a year later; but there were complications, family objections (on his side) to be faced down. Wintie Chanler, as he was always known, had been reared in a rigidly Protestant and puritanical household, which seems, however, to have left no mark on his effortlessly adaptable spirit. But Margaret, unhappy with the drab services at the bleak Protestant church outside papal Rome and drawn to the beauty, pageantry, and spiritual intensity of Rome’s churches, had turned to the Catholic faith and later described herself as possessing an “anima naturaliter cattolica.” That made no difference to her future husband, who, she wrote, “would have been just as light-hearted about it had I been a Buddhist or a Mahometan.” But in deference to his family Wintie asked a Protestant clergyman who was a sporting friend if he would undertake to “reason” Margaret back into the Protestant fold. The response was blunt: “My dear fellow, I would not dream of doing anything of the sort! All the good arguments are on their side.” Steadfast in her faith, Margaret’s respect for the Roman Church itself was distinctly measured, as is evident in her voiced dismay at the Vatican’s proscription of the philosopher Henri Bergson, whose writings she valued and whose friendship, in Paris and subsequently on his visit to New York, she cherished. Marriage opened Margaret’s life to an...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesCharge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesCharge utile insuffisante (le modèle a refusé de juger)
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: aucune
Score de désaccord entre enseignants0,729
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0070,001

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,015
Tête enseignante GPT0,222
Écart entre enseignants0,206 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle