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Enregistrement W2056009321 · doi:10.1353/mis.2000.0025

Chorus, and: Separation, and: Puzzle at 30,000 Feet, and: Matchflame of the Ego, Moth, and: Departed Cordelia

2000· article· nl· W2056009321 sur OpenAlexaboutno aff
Katharine Whitcomb

Notice bibliographique

Revue˜The œMissouri review · 2000
Typearticle
Languenl
DomaineArts and Humanities
ThématiquePoetry Analysis and Criticism
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésChorusBedroomArt historySalonClosetArtHistoryNothingVisual artsArchaeologyLiteraturePhilosophy

Résumé

récupéré en direct d'OpenAlex

CHORUS/Katharine Whitcomb a man in Canada has the aurora borealis all rigged up he tells the radio reporter that he engineers and records sound Ui the universe the northern lights clamor down at him they hurl what he calls "hissing whistlers" at the earth he says the chorus always sings to him in the wilderness a cacophony of swooping colored wings and maybe you do have to be in the right place at the right time to hear what is being sung to you for my painter friend Werner that was his bedroom the night his apartment building Ui New York City burned in those slowed-down moments when the smoke was thick as JeIl-O he knelt on the floor to get more air but the smoke was coming up from between the boards and he could not breathe he said he heard a voice tell him he could lie down then with his pet cat Ui his arms there was nothing to fear and dying would be all right or said the voice he could stand on his cold windowsill five stories up from the street and dive across an eight-foot gap headfirst through a plate glass window dive into a lit portal in the building next door stiU holding his cat and that is what he did he jumped across back into our world The Missouri Review · 119 where he can tell us this story and show us his shoulders scarred with his choice to live and mostly we do want to live it may be that no one is truly safe but it does not matter the chorus is singing and the songs they sizzled and hummed over the radio brought the deep calm of Quetico to me again when the sky rippled with lines of phosphorescent laundry and voices on the wind sang arias so beautifully voices of my grandmothers and great-grandmothers before them when they reached over to me singing don't be afraid and all those hosannas swam together Ulto the one music that sounds within everything 120 · The Missouri Review Katharine Whitcomb SEPARATION/Katharine Whitcomb There are blows in life so violent . . . I cannot answer! —Vallejo After it, I Uve alone across the country. AU the photographs of him turned face down under piles of folded clothes. An astrologer reads my planets to me over the phone, very late, moths sputtering at the lit window. She says here Saturn squaring Saturn means everything is changing. She says look it's all at the top of the chart go Ulto the world and make a life. I hang up thinking a life is full of pam and it is hard to know what we need. Hard even to inhabit our own bodies each night, hard that morning comes again no matter what. On the best days I remember to be kind. My father calls more often, worried, he asks are you safe do you have friends? His voice warm at my ear. I reassure him. I am swimming I say you know floating. I can barely form the words. AU statements seem questions, all tenses changed. I am, I was. When I try to picture my husband everything suffers, I see him swaying Ui the living room, my maU in messy stacks, dust thickening, the house, a shrine to what is lost. The three cats search and search but never find me. The old gray torn sleeps more each day, nose between his forelegs. How long can this burn and still leave me alive. How late can it get and the phone still rings a voice dropping words into my answering machine. A recording of rushed intensity, projection, oh I can see him. He speaks The Missouri Review · 121 to a whir of blank air. And I push my hands deeper into my pockets and stand there listening, repeating: not now, not you. 122 · The Missouri Review Katharine Whitcomb PUZZLE AT 30,000 FEET/Katharine Whitcomb When the insurance salesman seated next to me breaks my concentration pointing out a circular irrigation pattern below in Kansas, giant green polka dots against the brown, I'm grateful. And stuck on a...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesMéta-épidémiologie (sens strict), Charge utile insuffisante (le modèle a refusé de juger)
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Synthèse · Signal consensuel: aucune
Score de désaccord entre enseignants0,599
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0010,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0010,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0010,001
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0100,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,015
Tête enseignante GPT0,253
Écart entre enseignants0,239 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2000
Routes d'admission1
Résumé présentoui

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