Characterization of bowing strokes in violin playing in terms of controls and sound: Differences between bouncing and on-string bow strokes
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Acoustics study characterizing violin bowing strokes; the object is sound production.
It analyzes violin performance and sound production, not research practice.
Characterizes violin bowing controls and sound; music performance science, not research practice.
Résumé
Bowing is the main element in sound production during a violin performance and one of the most basic and important expressive resources for the musician. In the lowest level, control parameters such as force, velocity, or bow-bridge distance are directly determining the characteristics of the sound. In a higher level, bowing strokes constitute one of the main mechanisms for structuring the performance. There are many different kinds of bowing strokes, and they are commonly classified into on-string, if the attack happens with the bow on the string and off-string, if the bow is bouncing. From a database of violin performances containing multimodal data including sound and gestures, a set of spectral features and instrumental controls is extracted and the database is segmented into intra-note segments (attack, sustain, and release). A characterization of bowing strokes and a comparison between bouncing and on-string strokes in terms of bowing controls and sound at the intra-note segments is presented.
Conservé avec la notice de tri, où il sert de preuve aux étiquettes ci-dessus.
La notice
- Revue
- The Journal of the Acoustical Society of America
- Thématique
- Music Technology and Sound Studies
- Domaine
- Computer Science
- Établissements canadiens
- McGill University
- Organismes subventionnaires
- —
- Mots-clés
- BowingViolinString (physics)AcousticsSound (geography)Computer scienceCharacterization (materials science)PhysicsSpeech recognitionTheoretical physicsOpticsCommunicationPsychology
- Résumé présent dans OpenAlex
- oui