MétaCan
Menu
Retour à la cohorte
Enregistrement W2081078985 · doi:10.1353/mis.2005.0015

Ten Percent of Nothing: The Case of the Literary Agent from Hell (review)

2004· article· en· W2081078985 sur OpenAlexaboutno aff
Jill Elaine Hughes

Notice bibliographique

Revue˜The œMissouri review · 2004
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueLibrary Science and Administration
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésNothingLawAgency (philosophy)HistorySociologyArt historyPolitical sciencePhilosophySocial science

Résumé

récupéré en direct d'OpenAlex

Reviewed by: Ten Percent of Nothing: The Case of the Literary Agent from Hell Jill Elaine Hughes Ten Percent of Nothing: The Case of the Literary Agent from Hell by Jim FisherSouthern Illinois UP, 2004, 211 pp., $27.50 Essential reading for aspiring writers and publishing veterans alike, Ten Percent of Nothing: The Case of the Literary Agent from Hell is a potpourri of tight investigative reporting, police procedural, hard-luck tale and psychological criminal profile. Jim Fisher carefully balances all of these elements to provide a very readable exposé on how even the genteel world of book publishing is not immune to fraud and deception. Fisher, a professor of criminal justice at Edinboro University of Pennsylvania and a former FBI special agent, spins a compelling true-crime tale as he profiles Dorothy Deering, former proprietor of the fraudulent, fee-charging Dorothy Deering Literary Agency and perpetrator of several other literary scams. Deering, the first U.S. literary agent ever convicted of federal mail fraud in the United States, successfully used her "agency," vanity press and crooked kickback schemes to bilk millions of dollars from unsuspecting, unpublished (and often unpublishable) writers over a ten-year period, using her ill-gotten gains to fund a lavish lifestyle of luxury homes, five-star travel, expensive jewelry, prescription drug abuse and plastic surgery. Fisher briefly outlines Dorothy Deering's history before she embarked on her life as a master con artist, from her modest middle-class origins in Kettering, Ohio, through several failed marriages, numerous dead-end jobs, a stay in a mental hospital where she met her last husband (and eventual partner in crime), Chuck Deering, and finally her first criminal conviction (embezzlement of funds from a former employer, for which she served no jail time). What is so amazing about Deering's story is that not only was she already a convicted criminal before she opened her agency but she had no training in writing or publishing whatsoever—in fact, she didn't even have a college education. Shortly after her mental-hospital stay, Deering wrote a science fiction novel. Styling herself as the next big best-selling author, Deering bought a copy of Writer's Market to look up literary agents. When she failed to find representation for her book from any of the non-fee-charging agents and then wasted her money on a couple of fee-chargers herself, Deering got an idea. . . . Thus, the Dorothy Deering Literary Agency was born. With her husband (a failed used-car salesman), her younger brother (a con artist and fugitive already wanted on a fraud charge in Georgia) and her drug-addicted, ninth-grade-dropout stepson as her office assistants, Deering set up shop in Nicholasville, Kentucky. After placing her first advertisement in Writers' Digest, Deering soon found her mailbox chock-full of [End Page 208] checks for manuscript-reading and one-year representation fees from hopeful writers. She then expanded her business to include kickback vanity publishing schemes with "publishers" in Utah and Canada who took fees from authors but produced no books, and when those schemes petered out, Deering started her own vanity "press," which collected millions of dollars in fees but also produced no books. How did Deering get away with it, and for so long? The fact is, there is nothing so gullible as a vain, unpublished writer. Also, when it came to representing herself as a literary agent, all Deering had to do to justify her fees (both to her "clients" and in the eyes of the law) was to occasionally shotgun copies of her clients' manuscripts to publishers whose contact information she found in Writer's Market or on the Internet. She then inevitably steered the rejection-crushed authors toward one of her vanity publishing scams so she could fleece them for even more money. With only about 1 to 2 percent of today's manuscript submissions getting accepted by legitimate literary agents (and only about 10 percent of represented scripts ever seeing the light of publication), small wonder that Deering had a nearly inexhaustible supply of clients. The second half of the book details how FBI agents caught up to Deering and prosecuted her for...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Synthèse · Signal consensuel: aucune
Score de désaccord entre enseignants0,913
Score d'incertitude au seuil0,373

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0010,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0010,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,039
Tête enseignante GPT0,316
Écart entre enseignants0,278 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2004
Routes d'admission1
Résumé présentoui

Explorer davantage

Même revue˜The œMissouri reviewMême sujetLibrary Science and AdministrationTravaux en français237 207