Notice bibliographique
Résumé
The period between the past IAML conference in Montreal and this year's annual meeting in Vienna has been busy and successful for Association RIdIM on many levels. The following report will highlight the most important achievements during that period. Meetings of the Council and the General Assembly of Association RIdIM On 6 June 2013 the Council and the General Assembly of Association RIdIM met and processed all necessary business. These meetings took place during the 14th International Conference of Association RIdIM in Istanbul (4-7 June 2013). The bodies that were the sponsoring societies prior to the change of status of RIdIM, were invited to attend the Council meeting. Association RIdIM regards the relationship with IAML, IMS and CIMCIM as vital and this meeting, the first at which the newly-appointed Liaison Officers were present, was an excellent first step toward mutually beneficial strategies and deliverables for all concerned. Liaison Officers At the last meeting of the General Assembly of IAML in Montreal, Paul Banks was elected IAML liaison officer to the Council of Association RIdIM. I am pleased to report that CIMCIM has elected Gabriele Rossi-Rognoni as their liaison. Nomination of the liaison officer of IMS is currently on hold and will--according to the latest information from the President of IMS--be clarified at this year's meeting of the IMS Directorium in Taipei in October 2013. (In lieu of this IMS Liaison, we were very pleased to welcome Dinko Fabris, the President of IMS, to the meeting as described above.) 14th International Conference of Association RIdIM, Istanbul, 4-7 June 2013 In collaboration with the Don Juan Archiv (Vienna), Association RIdIM organized its 14th International Conference in Istanbul that took place between 4-7 June 2013, hosted by the Pera Museum. The theme was Visual Intersections: Negotiating East and West. The death of Prof. Dr. Walter Salmen on 2 February 2013 meant a significant loss to both the research of music iconography and Association RIdIM to which Prof. Salmen has been appointed honorary lifetime member in early 2012. His continuous openness to new methodological approaches and toward topics often neglected by general music research ought to be a model for scholars who are both ready to the often limited perspectives embodied in academic research and willing to overcome the useless--and at times rather pathetic--battles regarding the cultural authority to speak about music. (Kevin Korsyn, Decentering Music. A Critique of Contemporary Musical Discourse. Oxford and New York: Oxford University Press 2003, 6 und passim). Association RIdIM was therefore honored that Dr. Gabriele Busch-Salmen, the widow of Prof. Salmen and herself an outstanding music and music iconography scholar, accepted RIdIM's wish to honor Prof. Salmen's commitment for and impact on music iconography research by dedicating the 14th International Conference of Association RIdIM hold in Istanbul this year in his honor and memory. From more than 80 submitted proposals the program committee approved more than 60 papers from a range of scholars both early-career and those with a wealth of experience, coming from as far a field as the Antipodes, US, Pakistan, Iran, China, Turkey and throughout Europe. The ample topical and methodological range of the selected papers reflected the diversity and development of music iconography research, not in the sense of a falling back on the hackneyed pluralism of the discipline as a laissez-faire or as a go-anywhere ticket replacing intellectual exchange. Rather the conference provided a framework for multi-fold and interdisciplinary discourse, promoted intellectual examination and exchange concerning the variety of musical cultures of the world, and gave a platform to enlarge the possibility of intelligible discourse between people quite different from one another in interest, outlook, wealth, and power, and yet contained in a world where, tumbled as they are into endless connection, it is increasingly difficult to get out of each other's way. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,002 | 0,003 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,001 | 0,001 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,030 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».