Pourquoi ce travail est dans la base
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Notice bibliographique
Résumé
lies at the center of studies, the professions, and education. Yet there are few agreed upon pedagogical strategies for engaging students in our central concept. In many educational programs the nature of is assumed to be obvious and therefore left uninterrogated. Alternatively, students may be asked to read articles, such as Information as Thing (Buckland, 1991), in conjunction with a lecture, class discussion, or writing assignment. To expand the available options, this brief communication offers educators in studies a new, artsbased, participatory approach for teaching about itself.At the Faculty of Information, University of Toronto, I ask my students to draw a conception of on a 4 by 4 piece of paper, coined an iSquare. This activity serves as a genial entree to an abstruse topic, accommodates a wide-variety of learning styles and intelligences, complements the scholarly literature about information, leads to lively class discussions, and generates a bespoke collection of images that can be tapped throughout the semester.Conceptions of traditionally appear as definitions made of words, but there are compelling reasons to invite students into the conversation via images. Drawing activities have been used successfully in other fields to engage learners in the topics of celebrity (Gauntlett, 2005), teaching (Weber & Mitchell, 1995), and economics, (Budd, 2004), among many other matters. Visual theorist and educator Sandra Weber (2008) asserts that images are more accessible than academic discourse, capture things that are hard to put into words, communicate more holistically, evoke stories or questions, and help us pay attention in new ways.The classroom procedure is easy to execute and utilizes readily available, inexpensive materials. In advance, heavy white drawing paper should be cut into 4 by 4 squares. Good quality paper encourages students to take the activity seriously; the modest size keeps the images from sprawling and is more felicitous to display and manipulate afterwards. One side will be used for the drawing surface and the other to capture a profile of the participant. For greater consistency, black pens can be provided to all students, which limit the expression of to a simple monochrome figure. To begin, instructions should be presented as follows:On one side of the paper respond to the question What is information? in the form of a drawing. On the other side of the paper write your name, age, gender, and area of study. You will have 10 minutes. Please use the paper and pens provided.Each student will produce one unique drawing and altogether the class generates a diverse collection of iSquares, for a learning experience on both personal and social levels. My previous research has found (Hartel, in press) that the pictures capture the major themes surrounding today. For instance, some drawings will locate in the mind, in renderings of the brain or head animated with a thought bubble [Figure 1(a)]. Other expressions will reflect the communicatory and social aspect of information, entailing figures talking in twosomes or groups [Figure 1(b)]. Many pictures will likely capture information as thing (Buckland, 1991) with displays of books, documents, or technologies [Figure 1(c) and 1(d)]. Often students will envision in symbols, whether periods, dollar signs, or question marks [Figure 1(e)]. The dynamic, abstract, and somewhat mysterious nature of may appear in striking patterns made of circles, dots, or dashes [Figure 1(f)]. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,001 | 0,047 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle