Notice bibliographique
Résumé
A cot for Hilt. A chair or stool for Allen. 1. Circuses Allen: Every Saturday morning my brother and I were stuck in the back seat of the old Chev when my parents drove the twenty miles into town to buy groceries. Hilt: You two knock it off or you'll find yourselves walking home! Allen: When we passed Sunny Brae and drove over the little bridge at Hall's Creek, I would look out the back seat windows at what was left of the old stadium. It was just a shell, round and grey--it had arches. There had been a tire long before I was born. Hilt: I wasn't much older than you when the whole thing went up in flames. Allen: It was a ruin as glamorous to me as the Coliseum in the Encyclopedia. Whenever Dad spoke about playing hockey when he was a kid- Hilt: With rolled up newspapers for shin pads--none of that fancy equipment like you kids have today. Allen: I imagined those games taking place in that stadium, my father playing hockey like a gladiator in ancient Rome. Before I was rive, my father's boyhood was far away and glamorous. Close by the stadium were the fields where the circuses of my father's boyhood set up their big tents. Hilt: Circus had its own train back then. We boys'd run down to the tracks just to see her come in. Allen: The only black man that my father ever talked about came to town with the circus. Dad and his friends were watching the big top go up-- Hilt: There were lions and elephants--all kinds of animals--and that fella was right in the middle of it all, pounding in those tent pegs with a mallet as big as you are. Boys he was big--must have been six and a half feet tall and he had shoulders on him like a bear. Allen: There was an ancient city ordinance prohibiting Negroes from being in town after sunset. Did they make an exception for him? Did the circus people hide him after dark? Did he have to sleep in the woods? Hilt: He just walloped those pegs in--boys-oh-boys, like sticks into butter! Allen: I don't know the first rime I heard this story-- Hilt: Me and the boys watched him from the distance. His arms were like Popeye the sailorman's--as big around as your waist! Allen: That black man was more exotic to me than the elephants, than the lions in cages, than the ladies on horseback. I had never heard my father speak of anyone or anything with such awe. Hilt: Boys-oh-boys, he was one enormous coon. Allen: I was taken to my own circus one miserably hot and muggy summer afternoon when I was four or rive. I remember being confused and frightened because a fat lady sat on me in the bleachers then she said something mean--she was a stranger and then suddenly she was mad at me because she had crushed the wind out of me. There were acrobats and trapeze artists and wild animals but mostly I remember that It was too hot and it was out by the new overpass and not near the stadium and that somehow this was wrong and I was not being allowed to see the circus of my father. Somehow I had failed him again. In my father's circus, elephants trumpeted in the air with the silhouette of the old stadium behind them. When I think of that picture, it is raining violently, animals are straining at their ropes, the air is filled with cries and confusion, and standing huge and in the midst of it all is the only black man I ever heard my father tell a story about. He slams down that mallet over and over bringing order to the chaos. When he is finished, the circus is in place. 2. Margarine Allen: There was a butter lobby in New Brunswick when I was a kid. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,006 | 0,001 |
| Communication savante | 0,004 | 0,003 |
| Science ouverte | 0,001 | 0,004 |
| Intégrité de la recherche | 0,002 | 0,005 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,390 | 0,204 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».