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Enregistrement W2203293450 · doi:10.1177/1077699014541786e

Book Review: <i>Sensationalism: Murder, Mayhem, Mudslinging, Scandals, and Disasters in 19th-Century Reporting</i> , edited by David B. Sachsman and David W. Bulla Sensationalism: Murder, Mayhem, Mudslinging, Scandals, and Disasters in 19th-Century Reporting. SachsmanDavid B.BullaDavid B., eds. New Brunswick, NJ: Transaction Publishers, 2013. 425 pp. $49.95 hbk.

2014· article· en· W2203293450 sur OpenAlexaboutno aff
Jan Whitt

Notice bibliographique

RevueJournalism & Mass Communication Quarterly · 2014
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueLiterature, Film, and Journalism Analysis
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésSensationalismHistoryCriminologyLate 19th centuryLawPolitical scienceSociologyArtPeriod (music)

Résumé

récupéré en direct d'OpenAlex

Sensationalism: Mayhem, Scandals, and Disasters in 19th-Century Reporting. David B. Sachsman and David W. Bulla, eds. New Brunswick, NJ: Transaction Publishers, 2013. 425 pp. $49.95 hbk.The edited collection of essays by David B. Sachsman and David W. Bulla is a treasure chest for media historians, whether or not the nineteenth century is their primary area of interest. Beginning with four cover photographs that depict bludgeoning, stabbing, whipping, and war, the book delivers on a theme that remains pervasive in contemporary media: The one thing that journalists seem to have learned from this long history of what would come to be called journalism is that sensationalism sells, write the editors in their introduction.Sensationalism: Mayhem, Scandals, and Disaster in 19th- Century Reporting is a veritable explosion of topics dear to the hearts of those invested in media analysis and history. Written by administrators, directors of publication, marketing specialists, professors, professors emeritus, and others-many with media experience-the essays highlight not only a particular period in newspaper history, but also provocative contemporary media practices.For example, the collection deals with portrayals of politicians, including John Adams, Jefferson Davis, Grover Cleveland, Ulysses S. Grant, Thomas Jefferson, Andrew Johnson, Abraham Lincoln, William McKinley, Richard M. Nixon, Barack Obama, Franklin Delano Roosevelt, and Mitt Romney. Its sweep includes writers such as Ambrose Bierce, Stephen Crane, Charles Dickens, Henry Wadsworth Longfellow, Lord Byron, Jacob Riis, Upton Sinclair, Lincoln Steffens, Ida Tarbell, and Edgar Allan Poe. News personalities also are in abundance: James Gordon Bennett, Nellie Bly, Benjamin Day, Horace Greeley, William Randolph Hearst, S. S. McClure, Joseph Pulitzer, and Henry Raymond head the list. In addition, there are important analyses of newspaper coverage of Tammany Hall and the Tweed Ring, among other scandals of corruption.The fifth book to be published from papers presented at the Symposium on the 19th Century Press, the Civil War, and Free Expression-a conference that began in 1993 and continues annually in Chattanooga, Tennessee-Sensationalism follows previous collections of essays about the Civil War and the press, fiction and film, race and gender, and other topics. In their detailed introduction, Sachsman and Bulla write,Sensationalism is a key to the story of how newspapers changed throughout the century to appeal to an increasingly literate workforce that included wave after wave of new immigrants. Political scandalmongering continued throughout the century and continues to the current day, and the crime coverage that was the bread and butter of the penny press rose to new heights in the era of yellow journalism and is now the essential feature of if it bleeds, it leads culture of news reporting.The George R. West Jr. Chair of Excellence in Communication and Public Affairs at the University of Tennessee at Chattanooga, Sachsman reveals in the preface to Sensationalism that his first job in newspapers was as a copy boy at the New York Daily News, which he identifies as a tabloid newspaper designed to be a picture window of the world. He observes,To capture and keep the attention of the largest audience possible, both the newspapers (and the press in general) and local news broadcasts are designed to entertain, titillate, mesmerize, and shock, at least within the limits of their own definitions of propriety.Author of Lincoln's Censor, Bulla is an associate professor of journalism at Zayed University's College of Communication and Media Sciences. Together, the editors organized twenty-one essays in four sections: The Many Faces of Sensationalism; Mudslinging, Muckraking, Scandals, and Yellow Journalism; Murder, Mayhem, Stunts, Hoaxes, and Disasters; and Hatred. …

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,006
score de la tête « metaresearch » (Gemma)0,001
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesMéta-épidémiologie (sens strict), Études des sciences et des technologies, Communication savante
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Synthèse · Signal consensuel: aucune
Score de désaccord entre enseignants0,352
Score d'incertitude au seuil1,000

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0060,001
Méta-épidémiologie (sens strict)0,0010,001
Méta-épidémiologie (sens large)0,0020,000
Bibliométrie0,0010,001
Études des sciences et des technologies0,0010,001
Communication savante0,0040,004
Science ouverte0,0010,000
Intégrité de la recherche0,0010,002
Charge utile insuffisante (le modèle a refusé de juger)0,0010,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,011
Tête enseignante GPT0,235
Écart entre enseignants0,225 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2014
Routes d'admission1
Résumé présentoui

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