Notice bibliographique
Résumé
Last July, I spent a few days at Pinewoods Camp in Massachusetts in the good company of a number of fine singers, including three from England: Tim Radford of Hampshire, and Anni Fentiman and Dave Weber, respectively from County Durham and Yorkshire. Len Graham, originally from Ireland's County Antrim, was there too, along with Colleen Cleveland from Brant Lake, New York. Colleen and I had met only once before, at the annual Eisteddfod in New York City, and I was thrilled to hear how her singing had matured in the past few years. Colleen is the granddaughter of Sarah Cleveland, one of the Northeast's most outstanding song carriers of the twentieth century. Born in Hartford, Connecticut, on New Year's Day 1905, Sarah's forebearers were all from Ireland: Creedons and Linehans from County Cork, and Wiggins and Henrys from Ulster. Her repertoire was both broad and deep and contained many rare gems--not that she was unique in that regard, but highly noteworthy, because she amassed a collection of some four hundred traditional songs and ballads, filed in her memory and backed up in a number of chapbooks. They included old traditional ballads found in the Child collection, British broadsides, and folk songs from Canada and the United States. A brace of songs from the many hours of Sarah's singing taped by Sandy Paton has been reissued as Ballads and Songs of the Upper Hudson Valley (Folk-Legacy CD-33). It contains a splendid selection from her repertoire, including Wear a Green Willow, often called The Nobleman's Wedding in the north of Ireland; Queen Jane or The King's Dochter Lady Jean, number 52 in the Child canon; and Molly Bawn, about a young woman who changes herself into a swan in order to follow her lover, only to meet with a tragic end. This CD is an important recording of American traditional singing, and every New Yorker who loves folk songs should have a copy. Sound recordings are important because they provide not just words and tunes, but articulate how traditional singers use their voices to tell ancient and topical tales. One of my favorite New York State recordings is Lawrence Older's Adirondack Songs and Ballads, recorded by Sandy Paton in 1963 and reissued as Folk-Legacy CD-15. Most of its twenty-four tracks bear the mark of British heritage, but there are three French-Canadian pieces as well, including a paddling song and two dance tunes. Lawrence Older left school early to follow the trade his family had pursued for generations. In the June 1966 issue of New York Folklore Quarterly, he profiled himself as someone who preferred to work with a single partner or alone rather than in a larger-scale commercial logging operation. Self-sufficiency and moderation ring out in that autobiographical sketch as loudly as axe blows resound in the forest. Not surprisingly, the album opens with his fine rendition of Once More A-Lumbering Go. To the music of our axes, we'll make the woods resound, And many a tall and lofty pine comes tumbling to the ground. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,007 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».