Notice bibliographique
Résumé
Cet article notes presente la biographie de Sirin Tekeli, une importante femmes de lettres de Turquie, une feministe et activiste que la narratrice a rencontree recemment en France. L'auteure conteste la pratique habituelle des biographies posthumes des femmes notoires alors qu'elle favorise plutot des extraits de leur biographie. Wrestling with worn-out metaphors used for women in literature is not the aim of this essay. But I am bound to begin with this because of the photograph. I have been staring at this picture that I took on January 26,2013, at a flower market in Nice (Court Saleya), before venturing my first lines. I can close my eyes and tell you all the colours, the order and the shapes of the flowers that accompany her smile and leather gloves. The flowery background of an intellectual and activist feminist whose life journey took her temporarily from Turkey to France, only to relieve her soul that has refused to belong to one nation or culture. Moving is for the restless. Men's love for women can be like a red rose but some women are better off when they are likened to mimosas or snowdrops since their achievements in society herald new eras and ideas and they challenge the status quo. The life story I am going tell you is destined to be incomplete. Still, it is worth taking the risk because Sirin Tekeli, a famous and highly respected feminist scholar from Turkey, should also be introduced to a non-Turkish feminist community. Especially because Tekeli believes in the power of global support and network among feminists regardless of the differences and culture-specific issues we have to focus on from time to time. This may sound second-wave and this is fine with me. She is capable of being critical of her own generation to the extent that she can sometimes be cruel to herself and cannot enjoy the long-deserved prestige and the compliments she receives from others. I have witnessed this more than once. After meeting Tekeli at the International Multidisciplinary Womens Congress in Izmir in 2009, where she delivered a speech as one of the plenary speakers, I promised myself I would write her life story one day. Not in an obsessed way but only if she agreed to talk to me about her life over the years, and only if we could develop a relationship based on mutual trust and understanding. After all, I could be her daughter. She does not have children and I haven't yet asked her whether this was intentional or not. I am almost forty years old and have been recruiting family members who are not born out of blood-ties. That is intentional. If I were Cours Saleya in my next life, they would all be my flowers except that they would not be for sale. I enjoy this international spiritual family made up of multiple mothers, dozens of sisters, lovers, dead or alive. Tekeli doesn't know that I am dedicating this mini-biography to her as one of my mothers. If she gets upset because I haven't asked her permission like a good daughter should, I know how to fix it. Because she told me about her favourite flower as we were sharing stories of love and life over grappa. It is usually only after someone dies and when it is too late for the subject matter to contribute (be it a milestone figure in Turkish feminist history or not) that most of us begin to compose works of praise or introductory texts for the person. I am also one of these: I like archival work and excavating feminist ghosts from their buried and forgotten spots. Now I have to lay my concerns aside about what Tekeli is going to think or how inadequate and embarrassed I might feel after this piece of life writing is published. I have confidence in her that she will be supportive of me. Because she has been. Each time I have attempted to write something ... anything ... to express my feelings as a woman and expose my research she has told me to go for it. [ILLUSTRATION OMITTED] Let us return to the photograph taken in the flower market. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,003 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,018 | 0,017 |
| Communication savante | 0,013 | 0,012 |
| Science ouverte | 0,001 | 0,009 |
| Intégrité de la recherche | 0,003 | 0,007 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,030 | 0,005 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».