Notice bibliographique
Résumé
INAUGURATION OF A SERIES: ARCHITECTURE AND LOVE \nWhy is architectural mainstream so insignificant? \nThe mainstream of architecture is being shown ad nauseam in hundreds of magazines all over the world. Every week, every month, every quarter, the same names are being juggled, so that you want to call it pop archi¬tecture, while famous design factories keep on degenerat¬ing as they gain in size and popularity and put on layer upon layer of bureaucracy. They are becoming self-emu¬lating and backward. The mechanism is evident. The bigger the practice, the bigger the money. The more busi¬ness, the less architecture. Why? Because whoever draws from the system will be the least interested in changing the system, even if it is bad... because it is not bad for him. Even where we are dealing with an environmental hazard or where new solutions are necessary y– what is being promoted is make-believe changes, catering to current fashion. A celebrated architect who is standing before the gates of a large bank will cater to any request. He or she is an in¬telligent person and will be able to justify his or her new product with a glib essay. \nThe reason behind the popularity of High-Tech (and behind draping buildings with technological novelties like with some jewellery) is the general strive for the prestigious visual effect. Large organisations are usually those that make a living by effectively convincing people that you cannot be 'at the top' without technological novelties, meaning: you cannot grow, ergo you probably cannot exist. This huge lie of today has become the oblig¬atory myth. We see great mainstream architects promote anonymity, neutrality, metal, aseptic cleanliness, inhu¬man accuracy—all the characteristics of administrative technocracy. No matter how hard the High-Tech artists try to pretend concern about the natural environment, they won't be able to conceal the fact that they are the lackeys of the manufacturing industry that is destroying that environment. \nThere is yet another direction, often presented in trade publications. Those are the people who are not trying to imitate anyone, to kiss up to bankers, but rather want to set an example. They refer their exploration to what is alive – man or nature – rather than what is dead, i.e. money and technology. Thus, it is possible to apply Erich Fromm's distinction between biophilia and necrophilia to architecture. \nThis is a start of a series of articles presenting the Low-Tech style. Low-Tech architects are trying to offer a humanist alternative to the overtechnologised modern architecture. We would like to present the artists and the institutions experimenting with low-budget, low-energy, sustainable technologies and materials—people aware that architecture is shouldering the burden of social re¬sponsibility. \nIn Low-Tech, independence from the manufacturing industry is coupled with a high level of reason, creativity and emotional involvement. \nArchitecture and Love – isn't this the very essence of our profession?
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,001 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».