Revolutionary Womanhood: Feminism, Modernity and the State in Nasser's Egpyt
Notice bibliographique
Résumé
REVOLUTIONARY WOMANHOOD: FEMINISM, MODERNITY AND THE STATE IN NASSER'S EGPYT Laura Bier Stanford: Stanford University Press, 2011 woman question in its various articulations and cultural expressions has historically been bound up with notions of national identity and nationalism. Through developing and unpacking the concept of state feminism Laura Bier grappled with the complex and contradictory discourses that shaped hegemonic notions of womanhood in the Nasser era. Drawing upon policy studies, political speeches, women's press, film, and literature the study was grounded in a cultural history, and fleshed out the connections between the construction of national womanhood and the conceptual framing of revolution. In short, the primary focus of the study was the relation between the construction of feminine identity and the modern nation-state. State feminism is the central point of analysis, which was then explored through a descriptive problematizing of four themes: the ideological framing of working women, secularism and law, family planning and reproduction, and international feminism. As a category for inquiry state feminism was located in the Nasser regime's modernizing project, but had its historical roots in the earlier period of colonial control. As such, state feminism was framed by the interlocking discourses of modernity, inclusion, and political participation, which were then set against traditional modes of social organization. State feminism, then, must be understood as a constellation of practices and ideologies that aimed to transform women into modern political subjects. Thus, for Bier state feminism was at its core a didactic project. Noting that the Nasser regime did not significantly transform the number of women in the workforce, Bier put forth the argument that the discursively constructed figure of the working woman played an important role in the articulation of the public sphere as modern and secular. The reconfiguring of the public sphere also shaped images of the home around a bourgeois model of domesticity. As such, the image of working women as a sign of modernity did little to destabilize the patriarchal organization of domestic labour. In fact, Bier gave extensive examples of state policies and incentives that were designed to create the conditions for women to access the tools of modern living, thereby creating a prescriptive model of femininity that drew upon imagery of both domesticity and professionalism. Policies that dealt specifically with the family drew multiple conflicting perspectives into the public debate, which then had adverse outcomes for women generally and working class women in particular. …
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Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,002 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,008 | 0,023 |
| Communication savante | 0,005 | 0,004 |
| Science ouverte | 0,000 | 0,004 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,003 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
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