Notice bibliographique
Résumé
The aim of this paper is to examine Horace Walpole's contribution to the reawakening taste for Gothic in the eighteenth century and to relate his curiously ephemeral art forms to the broad historical development of the Gothic. No attempt has been made, except in an incidental way, to treat the initial flourishing of Gothic architecture; that the reader has at least a passing acquaintance with the architecture of the Middle Ages is assumed. Instead, the emphasis has been placed upon the Gothic survival of the sixteenth and seventeenth centuries; as Gothic architecture was virtually eclipsed during this period, many readers may feel that this emphasis is unwarranted. However, some study of the Gothic architecture in these two centuries is necessary in order to understand how and why the Gothic took the turn it did in the eighteenth century. Chapter one is a collection of evidence to show that, despite opinion otherwise, Gothic architecture did survive as a potent force. Chapter two then proceeds to discuss Walpole's creation of Strawberry Hill and to show how the attitudes and skills of previous generations helped to mould its form. The conclusion reached is that Strawberry Hill, while Gothic in design, lacked most of the medieval Gothic spirit; that Walpole was in fact using the Gothic for a new purpose. Chapter three is again a collection of evidence, this time a survey of the prevailing trends in "Gothic" literature before Walpole. In a sense, chapter four is the culmination of this discussion of the Gothic, since here the attempt is made to show how Walpole's Gothic novel, The Castle of Otranto, was at once clearly in the earlier traditions of a classical interpretation of Gothic, and also a forerunner of an entirely new conception of Gothic. Walpole's influence upon later writers and his indebtedness to neo-Gothicizers is made clear by juxtaposing Walpole against the later school of Gothic novelists. To avoid a repetitious summary, some attempt has been made to characterize the essential differences existing between Walpole's Gothic and that of medieval artists by linking Walpole's creations with the rococo. An equation of eighteenth century Gothic with the rococo is of course foolish, and this was never contemplated; rather, the hope was to show that much of the spirit which stimulated Walpole's artistry is also endemic to the rococo. The eighteenth century Gothic, in particular Walpole's contribution, was actually a Gothic-rococo.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,006 | 0,013 |
| Communication savante | 0,005 | 0,004 |
| Science ouverte | 0,000 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,006 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».