Harvesting Surfaces: Handcrafted Film at the Changing of the Centuries Introduction, Notes, Acknowledgements
Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
I came late to the party. A few years ago, I begrudgingly burned a 16mm print of my digital movie Burning Contour Matrix to submit to the Ann Arbor Film Festival. The financial blow was considerable for a three-minute piece, but the pre-screeners were kind enough to program it, and I made my way to the festival to experience several days of fiercely independent film. Secure in my place as a filmmaker, I settled into my seat in the Michigan Theater. Soon came that unmistakable feeling-the realization of how much larger the world is than you realized, and how very much you don't yet know. Film after film unreeled on that massive screen, affected in some fundamental way on the very surface of the strip of film itself. Processed by hand. Reticulated by heaveivknows-what... potassium perchlorate? Lipton Cup-a-Soup? Tints and tones. Scrapes and scratches. Woven into narratives, and standing on solid abstract ground. Where had I been? This wasn't a retrospective, these were all new films! I read the listservs and magazines that I thought applied to my little world, and there was nary a mention of this! Such is living is a so-called digital world... it can be quite binary at times. Here was an entire parallel world to mine that I knew absolutely nothing about. Through some detective work, I found out that many of the filmmakers I newly admired first learned to tread on the surfaces of film at a farm in rural Oiv tario, where Canadian filmmaker Philip Hoffman (What These Ashes Wanted, Kokoro Is For Heart) held summer workshops. Here filmmakers could come and learn about the apparently forgotten art of hand-processing motion picture film. If you look closely at some of the works on this disc, and others that could not fit in the limited space, you may see some shared locations collected from stays at the farm. A barn here, a field there. Treated very differently by each maker who approaches them, they become surfaces within surfaces... with added sentiment for those familiar with the places inscribed in the emulsion. I swear it wasn't the fumes, but there at the farm, in the dark, hunched over a plastic tub of dektol, my heart fully opened to these parallel, simultaneous existences-the Physical and the Digital. The result is this uniquely digital form that carries the likenesses of some recent works of handcrafted film. I am honored to be able to gather these filmmakers' works and these thinkers' analyses together in this format. For handcratted film aficionados, I hope this disc is a useful and enjoyable way to return to these five films for deeper study. For those coming to these forms tor the first time (or the first time in a long time), I hope this disc serves as a suitable entry into this world through these notable examples. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,002 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle