Notice bibliographique
Résumé
Samuel Barber: Historical Recordings 1935-1960. West Hill Radio Archives CD6039 (8 CDs and 1 CD-ROM). This production of Canadian origin is devoted to works of a leading American composer of the Twentieth Century. Barber's creative career spanned a little more than three decades, beginning in the early thirties and being essentially over by 1970. The slow movement of his String Quartet, Op. 11 became celebrated in an enlargement as the Adagio for Strings, which, together with his 1938 First Essay for Orchestra, interested Arturo Toscanini, who programmed them on his NBC Radio broadcasts. The Adagio had a rather inglorious later life as movie music but it effectively distilled the somewhat overwrought musical drama that was Barber's stylistic hallmark. That fondness for emotional lyricism always made him suspect in the eyes of the Modernists--who were grabbing for the saddle before World War II but would not seize it until a decade later--but earned him great popularity with both performers and audiences. Barber's works appealed to conductors. Besides Toscanini, they included Koussevitzky in Boston, Ormandy in Philadelphia, and Rodzinski, Bruno Walter and later Mitropoulos in New York. They are all represented on these CDs, which also include such performers and ensembles as the Curtis String Quartet, the CBS Symphony Orchestra conducted by Bernard Herrmann, and the composer himself. Many of these non-commercial recordings, from both private and broadcast sources, document premieres and other important early performances. The lengthiest work so represented is the radio premiere of Barber's opera Vanessa, as heard on Saturday afternoon, 1 February 1958. The earliest is the First Essay for Orchestra in Toscanini's NBC Symphony broadcast of 5 November 1938, which also included the Adagio for Strings. Albert Spalding's premiere of the Violin Concerto with Ormandy and the Philadelphia Orchestra dates from 7 February 1941, and Serge Koussevitzky's premiere of the first version of the Second Symphony took place on 4 March 1944. Commercial recordings are also included, such as Werner Janssen's RCA Victor recording of the School for Scandal Overture and Rudolf Firkusny's and Gold and Fizdale's Columbia recordings of Excursions and Souvenirs, respectively. Also included are the composer's own recordings of his Medea Suite, Cello Concerto (with Zara Nelsova), and the revised version of the Second Symphony, all made for English Decca in December 1950, and his 1935 RCA Victor recording with the Curtis String Quartet of his setting of Arnold's Dover Beach, in which he is the baritone soloist. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,005 | 0,009 |
| Études des sciences et des technologies | 0,004 | 0,001 |
| Communication savante | 0,003 | 0,002 |
| Science ouverte | 0,001 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,067 | 0,030 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».