Actor, Screenwriter, Director, Chinese, American, Woman, Mother: Who Is Joan Chen?
Notice bibliographique
Résumé
International star Joan Chen is a woman of extraordinary talent. She is a well-respected actress as well as a daring director. Joan started her acting career at the early age of fourteen in 1977, when China was in turmoil during the Cultural Revolution, and has since starred in over fifty films. In 1980, she garnered the best actress award in China for her role in The Little Flower (Xiao Hua). She left China to attend university in the US in 1981, and later became a US citizen in 1988. She now divides her time between living in San Francisco with her family, and working throughout the States, as well as, frequently, Asia. She is a walking example of the harmonious mix of Eastern and Western culture, and the most amazing thing is her ability to strike a balance between her career and her personal life. Female directors, unlike male, have the added pressure of being judged not only on the success of their career, but also on their role as wife and mother. Only a person of multiple talents and capabilities can master this division of self in such a manner as to gain recognition in all aspects of her life. The following article has been assembled from material gathered during two conversations had with Joan Chen, between September, 2005, at the Toronto International Film Festival and May, 2007, at the San Francisco International Film Festival. The interviews were conducted in Chinese and I'd like to thank Yan Woo for transcribing the Chinese text. [ILLUSTRATION OMITTED] Alice Shih: Seeing you, Joan, on the big screen has always been a pleasure, but was particularly thrilled to witness your stage performance narrating for Guy Maddin's Brand Upon the Brain at the 50th San Francisco International Film Festival. During the performance, you even sang a Chinese lullaby! asked Guy right after the show about you and he said, I really like Joan's performance, particularly her orgasms ... Joan Chen: (laugh) Did you sense my fear while was up there? I'm prone to stage fright and I'm really afraid of crowds! first noticed it when was in my teen years, touring with a university performance troupe. When I'm on set, feel somewhat protected by the crew and can give myself completely. This sense of security is gone when I'm in front of a crowd. remember there were a couple of times when had to speak on stage, and was so nervous that was gasping for breath! David Henry Hwang has on several occasions invited me to work with him on Broadway. The scripts and the parts offered to me were indeed excellent but didn't have the courage. I'm still hoping that he will one day adapt these projects for the big screen! Recently, agreed to lecture at Stanford University and to narrate for Guy's film. accepted these offers as believe one must constantly improve and learn new skills to advance. If you thought that you had already seen or experienced everything that the world had to offer, then what would be the point of living? For me, after realizing that going on stage is one of my worst fears, consider these are my best opportunities to overcome it. had written down more than ten pages of notes for the Stanford lecture, and memorized everything! Who on earth would memorize their notes word for word? That was because was so afraid! ended up not using my scripted notes, and take that as a step forward. As for this narration on stage, was so afraid at the beginning, but after rehearsals understood and really appreciated the creativity of Guy's film. haven't seen anything as innovative as his film before and it would definitely be my gain if could be a part of this special event and work on my stage fright management at the same time. This was an excellent exercise to conquer my own psychological barrier and it may lead to my doing stage performances in the future, although film is still my first love. There are always new challenges to face in life and we should not be afraid to step out of our comfort zone. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,007 | 0,002 |
| Communication savante | 0,002 | 0,001 |
| Science ouverte | 0,000 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,014 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».