Notice bibliographique
Résumé
Walk down any high street and you will see them pinned to assorted lapels in pink, red, tartan, and blue. This proliferation of looped empathy ribbons may be heartening, but it is also confusing. Not only are there too many colours to remember what cause they are promoting but, in some cases, one colour has been hijacked by several charities. In America, for example, if you meet someone wearing a purple ribbon you may assume it is in sympathy for people with pancreatic cancer. But these ribbons are also worn by breastfeeding campaigners, those against domestic violence, or to raise awareness of the toll of urban violence. Green is worn to publicise organ and tissue donation, but also childhood depression, ovarian cancer, and leukaemia. They are also worn by environmental activists. In the United States ribbon wearing is so out of control—you can buy chocolate ribbons in coloured foils—that one website seeks to create order out of chaos by providing a handy catalogue of all known ribbons (www.gargaro.com/ribbons.html). This includes a list of orphaned ribbons, those that “no longer have a home.” Although more restrained, the United Kingdom has embraced the idea of the ribbon: red for AIDS, pink for breast cancer, dark blue for ME (myalgic encephalomyelitis) awareness, teal blue for ovarian cancer—and this month is ovarian cancer awareness month—and a jigsaw of primary colours for autism. This modern trend for sporting your political, social, and possibly sexual leanings on your label began with the launch of the red AIDS ribbon in 1991, when actor Jeremy Irons wore one to host the Tony awards, New York's theatre gongs. The ribbon was chosen by Visual AIDS, a group of professionals in the arts, who were inspired by the yellow ribbon worn to honour soldiers. Red was chosen for its connection to blood and passion. It has become one of the world's most widely understood symbols and, in its early heyday, wielded a deal of political clout. Barbara Bush, wife of then US president George Bush, made headlines when she was spotted in the audience of a fundraiser wearing a ribbon, which was then missing when she stood by her husband's side as he made a speech at the same event. Today the National Aids Trust, which organises the awareness ribbon in the UK, distributes over one million a year.year. Figure 1 In Scotland the red ribbon is tartan thanks to a campaign by the country's leading HIV/AIDS charity, Waverley Care. The loops are mainly given out during the Edinburgh Festival, but non-resident Scots tend to pick them up on trips back to their homeland and then wear them all-year round as a symbol of national pride, says director David Johnson. “In terms of HIV we already had a ribbon that was very well known. But we decided to launch a tartan one because the name of our charity didn't really mean anything at all. So we gave a tartan tweak to the red ribbon—in corporate terms it located us in the HIV sector but also gave us a Scottish identity. The concerns about raising awareness about HIV were secondary but we've had an amazing success here as well,” he says. The pink ribbon is a more glamorous cousin of the red, but has rapidly become a global symbol of breast cancer awareness. When Estee Lauder, of the US beauty giant, launched the pink ribbon in 1993 she made wearing it a fashion statement. Today there is no end of corporate sponsors willing to manufacture pink ribbon-linked merchandise. Last year's campaign saw chemist Boots stocking a £10 ($19; €15) limited edition Swarovski crystal pink ribbon brooch branded “this season's must-have to support breast cancer.” Breast Cancer Care was the organisation that imported the pink ribbon to the UK from America. Spokesperson Christina McGill says: “It's informally seen as one of the most successful health awareness campaigns ever run. It's a nice hook for the media that we have a strong symbol that people recognise. “I can imagine that the HIV cause is still considered to be an unpopular cause to market because there is still stigma attached to the disease. But with breast cancer the field continues to grow. People are more willing to believe breast cancer could affect their lives. The figures for 1999—the latest available—show a rate of 41 000 diagnoses a year.” It's not hard to account for the ribbon's success. Ribbons are cheap, most likely manufactured in the Far East and costing pennies to make, and—thanks to celebrity-endorsed campaigns—fashionable and attractive. But their ubiquity has led to an inevitable backlash—author Patrick West dubs the trend “label loutism” in his new report Conspicuous Compassion, for the think tank Civitas. He argues that there is scant evidence that the wearing of ribbons raises awareness and points to figures from the National Council of Voluntary Organisations that show the number of Britons giving to charity is actually falling. “It is the by-product of our emotionally correct, crying-in public, post-Diana consensus, in which a lonely populace is prone to immodest, attention-seeking displays of compassion,” he blasts. Whether wearing a ribbon is just a pretty way of giving lip service to a cause or not, our passion for the silky loops shows no sign of waning. Breast Cancer Care distributed an extra 16% of ribbons in 2003 compared with the previous year. At Alan Salter, a leading manufacturer of fundraising merchandise, a spokesperson confidently predicted that ribbons are here to stay. “They are simply the least expensive way of putting an emblem on somebody's chest,” he said. Breast Cancer Care's Christina McGill also doesn't think that the ribbon's mass success will be its downfall: `It has become a recognised marketing vehicle. Just because someone was first to put an advertisement on the side of a taxi doesn't mean that other companies can't follow suit. And look at poppies—you can even buy white ones today.”
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,004 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».