Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
ON THE MORNING OF SUNDAY, APRIL 10, 1983, an assistant professor of political science who had snuck off to his office to get a little writing done, found himself too distracted by recollections of a wretchedly uncomprehending review of Ancient Evenings in the New York Times Book Review to get down to his own work. Instead he wrote up and sent off to Evenings' author a critique of the review and an appreciation of the slighted work. A full six months later Mailer returned me sentences of a grace equal to those of Evenings' and of a graciousness that would establish itself as a hallmark of the Mailer would know, mainly by post, for nearly a quarter century. I was delighted to read you said--the praise was ambrosial and the critique luminous--and would doubtless have answered you on the instant but was lost in work, and if don't answer a good letter at once, it always seems as if months go by--I want to go back to a moment when can respond appropriately and the moments don't arrive, Mailer responded. Through last year another thirty letters and notes from Mailer would find their moment to complete an exchange. As exchanges with Mailer place one at but three degrees of separation from the major constellations of the American literary universe--indeed at times emboldened me to write directly to one of Norman's peers--events of some possibly small public interest emerged. For example, on one occasion, after brashly notifying Gore Vidal of a best-seller listing in the Chicago Tribune that attributed Lincoln as well as Tough Guys Don't Dance to Norman Mailer, would receive back word from Vidal stating that Lincoln Kirstein had been a tough guy who had danced. On another occasion, after had expressed surprise to Mailer that John Updike, reviewing fiction frequently for The New Yorker at that time, had not reviewed Ancient Evenings, Mailer would send me the following distillation of his experience with Evenings's reception: [N]one of the reviews of Ancient Evenings have lifted my old writer's heart very much. It seems a singularly unapproachable book for the critics. (A few weeks later Updike would respond to a question from me about the missed Updike by suggesting that he had not reviewed Evenings because [he was] daunted by his perception of what a mighty job being fair to it and Mailer would be and by noting that he had found Harold Bloom's recent review for the NYRB admiring and intelligent. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,012 | 0,004 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle