"A World without Grays": Innocence and Experience in Eric Rolfe Greenberg's the Celebrant. (Triple Play)
Notice bibliographique
Résumé
recent interview Eric Rolfe Greenberg, author The Celebrant (1983), remarked that for many Americans 1919 World Series heralded the end American innocence. (1) A memorable scene from The Great Gatsby echoes this sentiment. After Gatsby introduces Nick Carraway to Meyer Wolfsheim, character representing real-life gambler Arnold Rothstein, Nick finds it difficult to believe that this man was responsible for fixing World Series, and he is awed that one man could play with faith fifty million people--with single-mindedness burglar blowing safe. (2) Greenberg's The Celebrant tells story Yakov Kapinski, gifted jeweler and dedicated Jewish family man who changes his name to Jackie Kapp when he arrives in America at turn century. The narrative opens when Jackie, an avid baseball fan, makes his first business trip with his brother Eli and witnesses Christy Mathewson's first no-hit game in St. Louis (July 15,1901) and ends with Mathewson himself observing 1919 World Series from press box, where he sit[s] in judgment guilty players. (3) The no-hitter inspires Jackie to create an offering for his hero and provides impetus for his lifelong infatuation with Mathewson. In [the] public thirst for saint among ballplayers, biographer Ray Robinson observes, Mathewson stood alone, someone entirely apart from his own rowdy fraternity. (4) Known as Christian Gentleman, respectable, college-educated pitcher represented the embodiment middle-class conduct and values and, as a symbol clean living and sportsma nship, was largely responsible for transform[ing] nature crowd. (5) Greenberg's novel Jackie plays Nick to Mathewson's Gatsby, but, unlike Nick, Jackie loses his innocence early in novel, witnessing his brother's inveterate gambling and suffering racial taunts from Mathewson's teammates. Over years Jackie becomes disillusioned with game's schemers and promoters (p. 143), but never with Mathewson, and his faith in pitcher serves only to further isolate celebrant and his idol from world outside foul lines. Before opening novel itself, Greenberg includes Historical Note documenting the Christy Mathewson's life and career. This straightforward summation the facts baseball hero's triumphs and tragedies stands in stark contrast to novel's fascination with these demigods we create and celebrate (p. 196). Above all, The Celebrant is fan's narrative. essay Baseball as Narrative, A. Bartlett Giamatti describes baseball as romance narrative of exile and return, vast communal poem about separation, loss, and hope for reunion. However, the true tellers narrative, Giamatti explains, those for whom it is played.... It is [a tale] finally told by audience. (6) Although Jackie's worship Mathewson mostly deifles pitcher and strives to set him apart from mere mortals, Allen Hye highlights only time Jackie allows himself to see Mathewson as man: I thought he would order time to stand still, leaving him suspended for eternity in this pose, at this breath, but only gods and artists can stop time. Mathewson had to pitch, erasing this moment, bringing on next. (7) The book's structure charts chronological course in which events in Jackie Kapp's life center around six important ball games. Mathewson's no-hitter at St. Louis in 1901 Mathewson's third consecutive World Series shutout, against Philadelphia, October 14, 1905 The Merkle game, September 23, 1908 The Snodgrass game, October 16, 1912 The 1919 World Series, in which Mathewson watches from press box with Hugh Fullerton Mathewson's death on eve 1925 World Series, between Washington and Pittsburgh What is notable is that even Mathewson's triumphs are tainted with sorrow or scandal. …
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Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,010 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».