Lessons in Diversity: Origins of Interior Decoration Education in the United States, 1870–1930

During the last quarter of the nineteenth century, many factors, such as greater emphasis on the importance of the home and its decoration, contributed to the separation of interior decoration from other similar vocations. By the early twentieth century, interior decoration as a profession and occupation had begun to gain acceptance in the market place and academic world. Print media attention focused on the interior decorator who was no longer merely a wall painter or furniture salesman but was a furnisher and marketer of art and good taste. Advances in formal education and a culture of professionalism contributed to the realization by practitioners and others that interior decoration required specialized knowledge so many began to push for training in newspapers, books, and magazines. This study discusses the origins of interior decoration education in the 1870s, when the first courses related to the home were offered at mid–western land–grant universities, to 1930, the year before the organization of the American Institute of Interior Decorators (AID) was founded. It covers the variety of training methods for decorators and the sometimes conflicting views of early advocates for the profession and for education. It points out tensions within interior decoration and conflicts with other similar fields. Finally, it looks at several university programs in different academic homes and the various course titles used in the curriculums. If training for interior decorators between 1870 and 1930 could be described in a single word, it probably would be diversity. This was reflected in the many means and places to acquire training, the institutions that offered it, and the opinions about it. The earliest training methods were those that were most readily accessible for most people, such as self–education or apprenticeships. They were soon joined by interior decoration courses and programs at various art, design, and industrial art schools; colleges and universities; teachers’ colleges; and other institutions across the United States. Throughout this early period, institutional training evolved from a single course to complete programs. The first bachelor's degrees were awarded. This early period also established ties between interior decoration and the disciplines of fine arts, architecture, and home economics. Diversity was important to interior decoration at its inception because it permitted individuality, provided availability for more people, and accommodated the evolving definition and practice in the field. At the same time, it reflected and contributed to such challenges as a lack of identity and cohesion. In education, this diversity was evident in the variety of institutions offering study in interior decoration, its various academic homes, the assortment of course and program titles, and differences in program requirements. A lack of standards and consensus in education helped to create gaps and disparities in preparation, knowledge, and skill among practitioners. Interior decoration did not resolve these problems. As a result, they became the foundation on which interior design was built.

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