Notice bibliographique
Résumé
8 WLT NOVEMBER–DECEMBER 2016 Notebook Inanerainwhichwespendanincreasing number of our waking hours immersed in virtual and augmented realities, gliding across the two-dimensional surfaces of a placeless digital world, it is perhaps not too surprising that a significant number of writers are pulling away from the digital zeitgeist, preferring to call attention to an embodied sense of self within the threedimensional world. Blurring the figure-ground distinction between the individual and their environment , the following writers challenge us to embrace a more nuanced understanding of ourselves as biomass, our bodies components in a larger ecosystem. Joanna Klink Excerpts from a Secret Prophecy Penguin Joanna Klink is a radical cartographer. Addressing “you who once looked out of my eyes,” she maps the materiality of her body, its microscopic transformations, and ultimate transience. There is a ceaseless sense of sublimation in this collection as the poet oscillates from finely observed details to broader planetary concerns, stitching together a harrowing, ecstatic metaphysics. Soraya Peerbaye Tell: Poems for a Girlhood Pedlar Press A response to the 1997 assault and deliberate drowning of Canadian Reena Virk by fellow teenagers, these poems interrogate the language both of the court trials as well as the marshy terrain in which the murder took place. Peerbaye forces us to become intimate witnesses to the body’s desecration and subsequent decomposition as she unpacks the text of the autopsy, confronting us with the tender details of sinew and muscle disintegrating within water. The lines of the text break and jar, evoking the sense of an inert body resisting the flow of the tide; the brutal exchange between human and landscape becomes a stark meditation. This is an extraordinary study of race and violence parsed through landscape, where the murdered girl, local indigenous peoples, and the surrounding ecosystem are mapped and remapped through interleaved histories of environmental and colonial disruption. Lyanda Lynn Haupt The Urban Bestiary: Encountering the Everyday Wild Little, Brown Haupt asks us to consider “whose home we live in,” as humans and “wild” lives increasingly comingle within the city and the green spaces it swallows. She argues that it is time for a new bestiary—a cultural biology that is a lively conjunction of art and science, imagination and observation—if we are to discover more sophisticated ways to perceive and understand the multiple forms of intelligence with whom we share our cities, from coyotes and cougars to chickens and rats. Lucy Lippard Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West The New Press Such radical reimagining can be applied not only to our cities but equally to the vast landscapes of the American West, a place so obscured by the claims and counterclaims of colonizing architectures, multinational mining interests, and millenia-old indigenous rights that, as Lippard argues, “new image wars must be waged.” Weaving together text and image, she explores how art and language frame our understanding of local environments to the point that our perception of the land and our use of it are inextricably intertwined. Pireeni Sundaralingam is a cognitive scientist and poet. Her poems appear in over thirty journals, including Ploughshares and American Poetry Review. A Climate Change Fellow at the Exploratorium in San Francisco, Global Salzburg Fellow, and lead strategist on human development for the United Nations Museum of Humanity, she is currently writing a book on poetry and the brain. what to read now Imagination and the Environment by Pireeni Sundaralingam ...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,003 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,006 | 0,018 |
| Communication savante | 0,012 | 0,010 |
| Science ouverte | 0,001 | 0,004 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,014 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».