MétaCan
Menu
Retour à la cohorte
Enregistrement W2565849236

THE VOICE OF SUBALTERN IN MARGARET ATWOOD’S SURFACING: AN ANTICOLONIALIST APPROACH TO THE NOVEL

2015· article· en· W2565849236 sur OpenAlexaboutno aff
Crıstına Nicolaescu

Notice bibliographique

RevueJournal of Research in Gender Studies · 2015
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueUtopian, Dystopian, and Speculative Fiction
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésOppressionSubalternIdeologySociologyGender studiesEssentialismFeminismColonialismSubject (documents)AestheticsPoliticsLawPolitical sciencePhilosophy
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

My paper analyzes Margaret Atwood's Surfacing from the perspective of anti-colonialism, employing the concepts of voice and from Spivak's work. The novel was published in 1972 and it occupies a place of prominence in Atwood's substantial body of literature. The novel is mostly concerned with women's equality, the violence committed against women and the natural destruction in Canada. Ecofeminism builds a kind of bridge between these two theoretical groundings and tries link feminism and ecology in the sense that the oppression of women and the oppression of the environment are two issues, which are closely connected. Oppression of women in a patriarchal society and exploitation of nature by means of new technologies are the major themes of her novel, which I approach as colonial oppression of female and nature. Actually, in this novel all kinds of ideological oppression are bitterly criticizes in the sense that not only the women but also the nature is decreased in to an object, which can be manipulated by the oppressive ideological system. Besides this, ecological awareness is a constant issue and the importance of nature in the protagonist's psychological development expresses this awareness. Atwood also tries to show people that Canada has been suffering from the impact of the society in which modern technology has an important role. In Can the Subaltern Speak? Spivak critiques the essentialist underpinnings of Subaltern Studies, where the marginalized subaltern subject is always defined via his or her difference from the elites (Lane 247). In the novel, wilderness, protagonist and her friend Anna are subaltern and subordinated. The subordinated can never express their feelings, emotions and thoughts. The only way to be heard is to speak the language of subordinator. In Surfacing the female protagonist has no name and this represents that she has no identity and she doesn't belong to any culture. The unnamed protagonist goes to a remote island to search for her missing father where she grew up. The island takes place in the wilderness of Canada and it is clear that the unnamed protagonist comes back to her birthplace after many years. During the investigation she is accompanied by her boyfriend Joe and another couple Anna and David. But when they can't find her father, they decide to stay on the island for a week.While Atwood portrays the struggle of female characters in search of a fixed self-identity, which rises against the male domination, in Surfacing the female subject is also depicted as rising against all kinds of oppression including colonial exploitation, capitalist exploitation and yet, most importantly ecological repression. In this paper, basing on the readings on Surfacing, I will focus on aspects in which Atwood metaphorically criticizes the oppression of both the female-self and the nature-self. Therefore, the novel can be analyzed from ecofeminist point of view. According to Greta Gaard, Ecofeminism's basic premise is that the ideology, which authorizes oppressions such as those based on race, class, gender, sexuality and physical abilities, is the same ideology which sanctions the oppression of nature. Ecofeminist theorists consider the interconnections between sexism, the domination of nature, racism, speciesism and other social inequalities (1).In the novel, from the ecofeminist point of view the connection between women and nature can easily be seen. Atwood makes it clear that the unnamed protagonist sets up an inner journey through the nature and during this journey she challenges the idea of women's and nature's inferiority against men and culture. The heroine undergoes a deep process of selfanalysis throughout her investigation. The struggle to find her father becomes an excuse for the inner journey which leads her to natural world and helps her to find herself at the end. When protagonist travels into nature, she realizes that there is a gap between her and nature and nature is victimized by Americans. …

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,006
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,719
Score d'incertitude au seuil0,476

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0060,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,596
Tête enseignante GPT0,457
Écart entre enseignants0,140 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations3
Publié2015
Routes d'admission1
Résumé présentoui

Explorer davantage

Même revueJournal of Research in Gender StudiesMême sujetUtopian, Dystopian, and Speculative FictionTravaux en français237 207