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Enregistrement W2596978954

John Wayne and the Queer Frontier: Deconstructions of the Classic Cowboy Narrative during the Vietnam War

2006· article· en· W2596978954 sur OpenAlexaboutno aff
Christopher Le Coney, Zoe Trodd

Notice bibliographique

RevueAmericana : The Journal of American Popular Culture, 1900 to Present; Hollywood · 2006
Typearticle
Langueen
DomaineEconomics, Econometrics and Finance
ThématiqueCinema and Media Studies
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésQueerHollywoodFrontierHistoryArt historyLesbianVietnam WarNarrativeGender studiesReligious studiesArtSociologyLiteraturePhilosophy
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

Wayne?! You're gonna tell me that John Wayne's a fag?!-Midnight Cowboy (1969)I gave my dead d--- for John Wayne.-Ron Kovic (1976)There ain't no queer in cowboy and don't care for anyone suggesting there is, snapped Wyoming cowboy Jim-Bob Zimmerschied in December 2005 (qtd. in Sherwell). The growing numbers of participants at regional and national gay rodeo finals, and the existence of the International Gay Rodeo Association (founded in 1981 and now with member associations across most states, the District of Columbia, and two Canadian provinces) might suggest otherwise. But, responding to questions about Ang Lee's critically acclaimed film Brokeback Mountain, Zimmerschied continued: I've been doing this job all my life and ain't never met no gay cowboy...John Wayne and Will Rogers, they made real cowboy movies. They portrayed us like we are (qtd. in Sherwell).Nearly thirty years after his death, Wayne's name has been continually invoked in interviews, reviews, and articles sparked by the release of Brokeback Mountain. Ubiquitous in Western genre films from the 1930s through the 1970s, and a cultural icon of titanic proportions, Wayne's tall stature, chiseled jaw, and broad shoulders made him the perfect celluloid cowboy. His performances set the standard by which all Hollywood cowboys - including Ang Lee's - were then judged. I think my career demonstrates that am no panty-waist, Wayne told a Playboy journalist in 1971 (92), and this decades-long career had made Wayne a poster-boy for strong, independent, American masculinity. Wayne's was also a heterosexual masculinity. His on and off screen personas were unambiguously straight: on screen he idealized a vision of virile straight men who waged battle by day and wooed women by night, and off-screen his personal demeanor and political values seemingly mirrored those of his cowboy characters. He espoused conservative causes, repeatedly expressed a personal distaste for homosexuality, particularly its pervasive presence in Hollywood, and proclaimed himself disgusted by Tennessee Williams' Suddenly Last Summer (1959). They've gone and killed John Wayne with this movie, concluded Zimmerschied of Brokeback Mountain (qtd. in Sherwell). But while Lee's portrayal of gay cowhands in Brokeback Mountain might be an affront to the John Wayne myth of an exclusively heterosexual frontier, it is by no means the first. Beginning in the late 1960s, this cultural myth has been under attack.John Schlesinger's Western, Vietnam, and aFrontier DystopiaIt was a brisk January day in 1974 and the citizens of Cambridge did not know what to make of the spectacle. A boisterous crowd of nearly 400 Harvard students was milling about a military armored personnel-carrier as it made its way down Mt. Auburn Street towards the Harvard Lampoon office. All eyes were fixed upon the 6'4 barrel-chested figure who stood atop the tank with an unloaded gun, smiling and waving casually as he dodged the occasional incoming snowball. Cambridge's celebrity visitor was none other than John Wayne, celluloid cowboy extraordinaire and the recent recipient of the Lampoon's Brass Balls Award, given in recognition of his machismo and his penchant for hitting people in the mouth (Kifner 41). An article in the New York Times noted that although Wayne was foraying into hostile territory, he managed to charm the liberal-leaning campus community. The Lampoon had invited him to take part in a political debate where he answered pointed questions on his conservative politics. A handful of Native American activists protested his appearance but, despite the obstacles, the Duke dominated the day's proceedings with his mix of rough bravado, folksy humor, and sincere disregard for the academy's liberal sensitivities. The New York Times even summed up the day's debate by painting Wayne as a modern-day Theodore Roosevelt - a symbol of American mythology: cowboy, soldier, agent of empire (Kifner 41). …

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,084
Score d'incertitude au seuil0,824

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0010,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0010,000
Bibliométrie0,0000,001
Études des sciences et des technologies0,0010,002
Communication savante0,0000,000
Science ouverte0,0010,000
Intégrité de la recherche0,0000,001
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,007
Tête enseignante GPT0,208
Écart entre enseignants0,201 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations6
Publié2006
Routes d'admission1
Résumé présentoui

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