Notice bibliographique
Résumé
As essential as water or the air we breathe, streets are the corridors of the soul and the dark trajectories of memory.-Paul Virilio, Panic City 1 "The Cypresses are still there."Michel looks at them, high up behind the wall that surrounds a four-story white building, and his eyes begin to wander, thirsty, trying to recognize the little that remains from his distant childhood. 2 They are ancient eyes, Michel's, folded under the weight of an eighty-year-old man.He is already tired from the walk uphill along a little street in the center of Jerusalem, just outside the ancient walls of the Old City.But his breathing is light, concealed by the slightest of smiles, gentle and innocent, because that anonymous little street in the old quarter of Musrara is Michel's memory lane.That is what he calls it in his impeccable British English: the street of his memory.The memory of his childhood and of the fixed images of 1948 that marked a before and an after, the hiatus in his life.And the hiatus of Jerusalem.Michel looks around like a stranger.He looks like the passers-by who use the little street to get to the offices of the Jerusalem city hall, just over the hill where a large square opens up.Michel, however, has no urgent business at city hall.His arrival point is his memory lane.He is there, after decades, only to remember.Memories rush from the mouth of that bent old man with the tidily combed white hair.His memory lane was called Baldwin Street when he was small, named in honor of the crusader king in 1918 by the British authorities, together with a committee that brought together representatives of the three religious communities to rename the streets.Baldwin was a gracious street at the end of the 1930s, full of villas with gardens.Look there, the house of the French consul, Musrara, the Center of the World Paola Caridi[ 30 ] Musrara, the Center of the World and then that of Judge Khayyat -large, very large with a real park surrounded by a wall.Right in front of the Khayyat estate was the house in which Michel lived as a small boy for ten special years: from 1938, in the middle of the great Arab revolt against the British and Zionist immigration, until 1948, the year of the birth of Israel and the first Arab-Israeli war, the year of the Palestinian catastrophe -the Nakba.The little house of Michel's childhood was a single story, like many in the small but important quarter of Musrara -a prestigious area which in successive censuses counted at least 130 one-or two-story buildings, as well as churches, hostels, and convents.Musrara was a built-up area, triangular in shape, established around 1875 in a place whose name in Arabic perhaps means "field of pebbles."It is bordered to the south by the walls of the Old City, to the west by the commercial district of Jerusalem, to the north by the Orthodox Jewish neighborhood Mea Shearim, and to the north-east by the primarily Muslim district of Shaykh Jarrah.From the architectural point of view, Musrara mirrors the typical style of fin-de-sicle Jerusalem: local stones, sloping roofs on four sides, Arabic windows high and arched in the upper part, and metal book-end window shutters.Then there were the gardens: rose gardens separating houses from the street, and behind them fruit-trees -pomegranates, almonds, mulberries, and medlars -and those tall and austere cypresses that have resisted wars, new inhabitants, and rampant speculative building.Musrara was the first mixed district to develop outside the Old City walls, where the Jerusalemite middle class -Muslim, Christian, and Jewish Ottoman citizens -lived and in time consolidated their day-to-day life.There they freed themselves from the constraints of the sixteenth-century walls built by Suleiman the Magnificent, which until 1873 were closed at night to protect the inhabitants from external dangers.In Musrara, the class of well-to-do that had developed at the end of the Ottoman Empire in the decades preceding the First World War placed themselves "at the mercy" of the countryside and villages that ringed Jerusalem and furnished the city with vegetables, milk, olives, and manual labor.Michel's father, a representative of a new post-World War I middle class, brought the family to Musrara.An accountant employed by the British Mandate administration, he was accompanied by his family to his postings: in the southern town of Beersheba, where Michel was born, then to Bethlehem, and finally Jerusalem.In Musrara, Michel's family, Christian Palestinians, rented their house from a rich Muslim Palestinian, Ibrahim al-Ansari."Renting a house instead of buying took place ever more often in the city during the thirties," explains Salim Tamari, who writes on Jerusalem between the Ottoman Empire and the British Mandate.Renting a house was one of the signs of modernity that even Jerusalem, the archetype of a holy, celestial city, was experiencing.Despite his age and the emotion concealed by his gentle manner, Michel bathes himself in distant memories.He walks through Musrara, along the narrow streets that still recall the old urban weave of the district before the tragic interruption of 1948.He passes the houses, remembering who lived there.He identifies every building with a surname, a trade, an outline of daily life, until he reaches today's Ha'Ayin Het Street that goes west from the Old City walls, past the Salesian Sisters' convent.The nuns there continue to operate a kindergarten frequented by Palestinian children in a district
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».