Notice bibliographique
Résumé
Edward Green Harrigan was born October 26, 1844, in the Corlear's Hook section of Manhattan. His father was a native of Carbonear, Newfoundland, a former first mate on the New York--Liverpool packet ship run; his paternal grandfather was a fisherman in County Cork, Ireland. His mother's line was likewise well connected to the sea. Harrigan's maternal grandfather was a gunner, fatally wounded aboard the Chesapeake in her celebrated 1813 battle with the Shannon, and his grandmother ran a boardinghouse for sailors. Corlear's Hook was a largely Irish neighborhood, home to New York's shipbuilding industry during much of the 19th century. Harrigan's father worked in the yards at Corlear's Hook, and found his son a job there as a caulker. Working long hours, tediously pounding tarry hemp between the planks of leaky ships, Ned Harrigan labored for four years, but he wanted more ... a life on the stage. Ned took to the sea as a teenager, first to Gulf Coast ports, later to California, where he found work as a caulker in San Francisco Bay shipyards by day, moonlighting as a singer, accompanying himself with the banjo. Eventually, and with strong support from many maritime trades workers there, he became a full-time entertainer. Back in New York as a well-established performer, Harrigan began to stretch vaudeville skits into full-length plays. They were anything but static pieces. He refined, added to, and reintroduced them frequently. When he expanded a skit, Old Lavender's Water, to make a one-hour play and it didn't achieve the success he had envisioned, Harrigan lengthened the comedy again in 1885, adding, among other elements, Up, Jack, John, Sit Down. The play was one of his finest, and Up, Jack, John Sit Down remains one of his most successful songs--but only a handful of the many people who sing it today know its origin. Oh, ships will come and ships will go as long as waves do roll; Each sailor lad, like his dad, will love the flowing bowl. Afloat, ashore they do adore a lass that's plump an roun'; When the money's gone 'tis the same old song, Get up, Jack, John, sit down. Heigh laddie, ho laddie. Swing the capstan roun) When the money's gone 'tis the same old song, get up, Jack, John sit down. An old sheathknife and souwester are staunch old friends at night; A glass o' grog in rain or fog, will steer a sailor right. From old Brasil to Bunker Hill we scatter dollars roun'; When the money's gone 'tis the same old song, Get up, Jack, John, sit down. Go take a cruise on men o' war to China or Japan; In Asia there the maidens fair, all love a sailor man; While Tom and Joe palaver oh, and buy the girls a gown; When the money's gone 'tis the same old song, Get up, Jack, John, sit down. When Jack's ashore, oh, then he'll steer to some old boarding house, He's welcomed in with rum and gin, and fed on pork and souse; He'll spend and lend, and never offend, and lay drunk on the groun'; When the money's gone 'tis the same old song, Get up, Jack, John, sit down. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,002 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».