Ada's Violin: The Story of the Recycled Orchestra of Paraguay by S. Hood
Notice bibliographique
Résumé
Hood, Susan. Ada's Violin: The Story of the Recycled Orchestra of Paraguay, illustrated by Sally Wern Comport. Simon & Schuster Books for Young Readers, 2016.Ada’s Violin is a picture book recounting the creation of the Recycled Orchestra in Cateura, Paraguay, particularly as it relates to the experiences of one member—Ada. The reader will be struck by Sally Wern Comport’s style of art which uses a form of mixed and recycled media—often resembling a scrapbook—that well reflects the nature of the orchestra as one made of recycled waste products. The motif of torn up musical manuscript paper floating through the pages visually connects the central role of music in the story. The colours are bright and saturated, lending itself to the multi-coloured world the story represents. The story presents strong positive values to children who may be beginning studies in music or are already involved. For example, the music teacher’s assertion that “It doesn’t matter if one is rich or poor, ugly, fat, thin—you cannot learn to play an instrument overnight,” is a powerful message to children who may be struggling as they learn an instrument. The whole of the story also gives the sense that you can make your way in the world and change your life even if you do not live in the best of circumstances.Despite these positive traits, the book does not seem like it would be entirely immersive for a child. While the story is clearly being written for a younger audience, the use of more difficult terms like “sweltering” and “nurturing” without good context clues could make the book difficult for children to read on their own. Additionally, words from the orchestra’s native language, Spanish, while effective for bringing the story into the context of Paraguay, are inconsistently glossed and may cause confusion for young readers. The story itself is not continuously engaging in that the titular character, Ada, is not consistently part of the story. There are times when the narrative of her experiences is broken by a narrative about the orchestra, and the story does not even end with Ada’s insights but rather, a general expression of the orchestra’s achievements. Furthermore, quotation marks are used to indicate direct quotes from Ada which the author gained from interviews with her—a decision that offers compelling material but makes the text feel more like an essay than a children’s story. These factors of language and narrative cause the book to sound like an adult writing about children rather than writing the story for children. Overall, this is an interesting book documenting an unusual subject, and for that reason it would be a good addition to school and public libraries.Recommended with Reservations: 2 stars out of 4Reviewer: Arwen ThysseArwen Thysse is a University of Alberta student in her final year of a Bachelor of Arts in History and English. She is also an avid musician who plays the violin, and enjoys children’s books.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,001 |
| Études des sciences et des technologies | 0,010 | 0,003 |
| Communication savante | 0,004 | 0,003 |
| Science ouverte | 0,001 | 0,003 |
| Intégrité de la recherche | 0,002 | 0,005 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,010 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».