Editorial: critical perspectives on digital spaces in educational research
Notice bibliographique
Résumé
Globally, the digital is encroaching, reformulating, and recreating spaces in contemporary society (Kalantzis-Cope & Gherab-Martin, 2010). This is so in South Africa with the various applications of the digital having their roots in different places and spaces. Historically, we can look back to the development of portable video technology in the late 1960s in Canada. Organised through the National Film Board of Canada, a group of filmmakers initiated a new approach to documentary film production, engaging communities themselves in the process of (Rusted, 2010). The Fogo method, as it came to be called (named after Fogo Island, Newfoundland, where it was first used), was part of the Challenge for Change/ Societe nouvelle program. It brought together government, filmmakers, activists, and communities to address poverty through documentary film production and distribution (Baker, Waugh & Winton, 2010). It is worth noting that the Fogo method of participatory video was transported to South Africa in the late 1970s (Cain, 2009). This work became a significant part of anti-apartheid activism, especially in the Eastern and Western Cape (pers. comm. Lou Haysom). As Cain (2003) writes in her doctoral study of participatory video that focuses on housing, water, and sanitation in communities in Eastern Cape:Challenge for Change delegates came to South Africa in the late 1970s and met with anti-apartheid community activists and leaders to promote their approach to filmmaking. As recounted by Maingard, this visit had a significant impact on the development of South African documentary filmmaking (1998, p. 35) and resulted in Canadian funds being given to initiate the Community Video Resource Association (CVRA) at the University of Cape Town, which later became independent and was re-named Community Video Education Trust (CVET), still in operation today. (103)Four decades later, new media technology has become more accessible, more personal, and more connected through digital communication networks (Graham, Laurier, O'Brien & Rouncefield, 2011) and social media, with mobile technology playing a key role, particularly in sub-Saharan Africa. As Buckingham and Willett (2009) observe in their work which carefully traces the evolution of video culture taking into account the various iterations of the camcorder, these developments have important implications especially for those studying youth culture and working with young people, and in the context of a DIY (do it yourself) media culture. But, as the various contributors to this issue of Perspectives in Education highlight, these developments have important implications for educational research such as bridging the digital divide, particularly in lower and middle income countries where access to digital resources and services, and human capacity to take advantage of them, are scarce (World Bank, 2013). Additionally, we need to consider the role that formal and informal education (with teachers, young people, and communities) needs to play in a digital age. Such participatory visual methods and tools as photovoice, digital storytelling, participatory video and cellphilming, digital animation, and digital archiving have the potential to alter how we conduct research, with whom, for what purposes, and for which outcomes.This Special Issue focuses on the possibilities and challenges that this technology is bringing to researchers to engage teachers, learners, community members, departments of education, and governments in educational research. The fundamental question asked in the issue is this: How can the digital spaces afforded by new media technology and social media be used to address issues in educational research? The issue seeks to facilitate dialogue among researchers who explore digital spaces so as to gain deeper and more critical insight into the possibilities of taking up research in such spaces. It looks at how digital spaces afforded by new media technology and social media contribute to addressing issues in education. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,003 | 0,072 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,001 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,002 | 0,001 |
| Études des sciences et des technologies | 0,000 | 0,001 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,002 | 0,006 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,002 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».