Notice bibliographique
Résumé
Eleonora Álvarez di (of) Toledo (b. 1522–d. 1562) was the second duchess of Florence and married Cosimo I de’ Medici (b. 1519–d. 1574) in 1539. She was born in Léon, Spain, and then moved to Naples in 1534, when her father, Don Pedro Álvarez de Toledo, Duke of Alba and Marquis of Villafranca, became Viceroy of Naples. Her mother, Maria Osorio Pimentel, was connected to the Spanish ruling household, and so Eleonora received a traditional Spanish upbringing. Eleonora had eleven children, including five sons, and contemporaries celebrated her fertility. The marriage between the ducal couple appeared to be a very happy one. Eleonora traveled with her husband frequently to their various palaces and villas across Tuscany, enjoying hunting, fishing, riding horses, and gambling. Apart from the production of children, Eleonora was a wealthy landowner who traded in commodities such as grain. The duchess acted as regent at least four times during her marriage, because of Cosimo I’s absence during war (1541, 1543) or illness (1544–1545). The longest period of Eleonora’s regency was between 1551 and 1554, while Cosimo I was away fighting the War of Siena. Eleonora was duchess of Siena from 1559 and together with her husband made a triumphal entry into Siena in 1560. Eleonora was a great patron of art, employing Agnolo Bronzino to decorate her private chapel and paint a series of portraits of her. She also employed other artists, including the sculptors Baccio Bandinelli and Benvenuto Cellini, the miniaturist Giulio Clovio, and the painter and architect Giorgio Vasari. Eleonora acquired the Palazzo Pitti and began renovations, including the development of the Boboli Gardens. However, she did not live to see the completion of the project. Her court included both Italian and Spanish speakers, and she supported the Jesuits in Florence. Her religious patronage reflected her support for Spanish religious practice. She favored female lyric poets at her court, as well as Spanish poets. Eleonora was often ill with tuberculosis from the 1550s, and she died on 17 December 1562 after contracting a malarial fever along with two of her sons, Giovanni and Garzia, who both had died shortly before her. Eleonora di Toledo is best remembered because of the iconic 1545 state portrait of her with her son Giovanni, painted by Bronzino, which is now in the Uffizi Gallery in Florence.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,003 | 0,001 |
| Science ouverte | 0,001 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,131 | 0,026 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».