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Enregistrement W2884002260 · doi:10.1353/seo.2018.0007

Score One for the Dancing Girl, and Other Selections from the Kimun ch'onghwa: A Story Collection from Nineteenth-century Korea ed. by Ross King and Si Nae Park

2018· article· en· W2884002260 sur OpenAlexaboutno aff
Seung-Ah Lee

Notice bibliographique

RevueSeoul journal of Korean studies · 2018
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueAsian Culture and Media Studies
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésGirlHistoryCompendiumClassicsArt historyArchaeologyPsychology

Résumé

récupéré en direct d'OpenAlex

Reviewed by: Score One for the Dancing Girl, and Other Selections from the Kimun ch'onghwa: A Story Collection from Nineteenth-century Korea ed. by Ross King and Si Nae Park Seung-Ah Lee Score One for the Dancing Girl, and Other Selections from the Kimun ch'onghwa: A Story Collection from Nineteenth-century Korea translated by James Scarth Gale; edited by Ross King and Si Nae Park; annotations by Kim Tong'uk. Toronto, Buffalo, London: University of Toronto Press, 2016. 630 pp. This book is the first published volume of the James Scarth Gale Library of Korean Literature series from University of Toronto Press. James Scarth Gale was a Canadian missionary to Korea from 1888 to 1927 who was known as a scholar, translator and interpreter of Korean culture, history, and literature around the turn of the century. However, as Ross King claims, his work has been under-researched (xxxvii). According to King, the Thomas Fisher Rare Book Library at the University of Toronto possesses a substantial archive of Gale's personal papers, publications, and manuscripts (xxxviii), some of which are to be published as a series. The current work under review is the edited volume of Gale's translation of selected stories from the Kimun ch'onghwa (Compendium of records of hearsay). The Kimun ch'onghwa is a collection of yadam (unofficial histories) believed to have been compiled in the late Chosŏn period. There is speculation that the compiler of this work was Yi Hŭip'yŏng (1772–1839), who also compiled the Kyesŏ chamnok (Miscellaneous records of Kyesŏ). This is because a substantial portion of the stories in the Kimun ch'onghwa overlaps with the Kyesŏ chamnok, but there is no distinctive evidence that may lead one to conclude that Yi was the compiler. Thus, the compiler of the book remains unknown. The title, which can be literally translated as a "comprehensive collection of stories (ch'onghwa) written and heard" (kimun), indicates the inclusion of "hearsay" (i.e sources not officially approved), corresponding in this case to [End Page 135] recorded tales from about thirty various yadam collections such as ŏu yadam (ŏu's Unofficial Histories), Tongya hwijip (Anthology of Eastern unofficial histories), Ch'ŏnggu yadam (Unofficial histories of the Green Hills) and Kyesŏ chamnok. Most of the stories are anecdotes pertaining to prominent Chosŏn figures written in literary Sinitic (Hanmun). The Chosŏn ruling class preferred reading and writing in literary Sinitic, a practice exclusive to male elites with few exceptions. In this regard, it is not an exaggeration to conclude that this kind of yadam collection was a work by male elites, about male elites, and for male elites. This was the reason why at the turn of the century intellectuals and scholars disregarded yadam collections composed in literary Sinitic. Korean literature composed in literary Sinitic (Hanmunhak) stakes a significant position in Korean literary history. It provides ample references for understanding Korean culture, history and society. Nonetheless, intellectuals and scholars disregarded it amid waves of modernization and westernization in the late nineteenth and early twentieth century. In the name of nationalism and colonialism, Hanmunhak was considered a relic of past times and an obsolete custom. In this respect, it is interesting and encouraging to see that a foreign missionary paid special attention to Hanmunhak. Furthermore, he did not simply read such works to indulge himself but translated many of them into English, thus expanding the readership of Korean literature to include foreigners. His translation of The Cloud Dream of the Nine (Kuunmong) by Kim Manjung is widely used in classrooms even now. There are many different versions of the Kimun ch'onghwa, but Gale used the four-volume Yonsei University version consisting of 637 stories. Among these stories, he selected 117 to translate. Score One for the Dancing Girl consists of these 117 translated stories with two introductions by the editors, Ross King and Si Nae Park. The original literary Sinitic texts are added with Korean pronunciation of each sinogram along with annotations by Donguk Kim who translated the Kimun ch'onghwa into Korean. As King notes, appending the original literary Sinitic is very useful when one compares Gale's translation with...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,001
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesÉtudes des sciences et des technologies
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,241
Score d'incertitude au seuil0,998

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0010,001
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0040,001
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0000,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,040
Tête enseignante GPT0,313
Écart entre enseignants0,272 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.

Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2018
Routes d'admission1
Résumé présentoui

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