Book Review: Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music
Notice bibliographique
Résumé
In mid-July 2017, six thousand people gathered at the white-power music festival Rock gegen Überfremdung (Rock against Foreign Domination) in Themar, a small town in Thuringia, Germany.At the event, the police recorded forty-six crimes, including assault, threatening behavior, contravention of German weapons law and displaying illegal (i.e.Nazi) symbols.Six people were arrested and the authorities recorded the identities of 440 festival-goers.An undisclosed sum was raised for the far-right political cause. 1 Music festivals of this kind and the violence that accompanies them are part of today's German political reality and, increasingly, of other countries around the world.This makes the white-power music scene worth the attention of any scholar studying extremist political movements, racism, or genocide.The ethnomusicologist and genocide historian Kirsten Dyck is one of them.Unlike other scholars in the field of white-power music, she looks beyond the country-specific variations of such music scenes, and, in her book Reichsrock, makes a convincing case that festivals like the one in Thuringia are anything but fringe phenomena.On the contrary, as she reveals, the white-power music scene has become a diffuse ideological network with interconnected outposts in countries around the world.Dyck begins by explaining why she applies the term white-power-as opposed to whitesupremacist or white-nationalist-to the music scene she investigates.Because its promoters are convinced that the existence of the white race is threatened, their music must express a sense of power and of their empowerment.The umbrella term white-power music encompasses many local scenes, each with its own type of pro-white racist music; its musicians and fans may or may not interact or agree with their counterparts in other regions.She defines white-power music as "any music produced and distributed by individuals who are actively trying to advance what they view as a white-power or pro-white racist agenda." 2 In general, these individuals believe in a so-called international Jewish conspiracy and stand in opposition to national governments and international power structures like the United Nations or the World Bank while displaying hostility toward racial, ethnic and sexual minorities.3 White-power music allows the far right to generate money for its cause, to disseminate its ideology, to offer opportunities for social bonding, and to provide a way in to white-power beliefs and activism for those who haven't yet had interest in or contact with such ideological beliefs and communities.Dyck sets two ambitious goals for herself.The first is to present an in-depth study of whitepower music as a transnational rather than merely a local phenomenon; the second is to explore the connections between seemingly non-racist elements of mainstream ideology and the blatantly racist aspects of white-power philosophy.Although issues of gender and religion are central themes of white-power ideology and music, they remain excluded from this study; the author plans to focus on them in her future work.
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Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,006 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,001 |
| Méta-épidémiologie (sens large) | 0,002 | 0,001 |
| Bibliométrie | 0,004 | 0,006 |
| Études des sciences et des technologies | 0,001 | 0,002 |
| Communication savante | 0,004 | 0,003 |
| Science ouverte | 0,002 | 0,001 |
| Intégrité de la recherche | 0,005 | 0,004 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,026 | 0,013 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».