Notice bibliographique
Résumé
San Francisco Moby-Dick Marathon, October 2018 Colin Dewey Click for larger view View full resolution The San Francisco Moby-Dick Marathon committee. From left to right: Barrie Grenell, Gina Bardi, and Fran Hegeler. Photo courtesy Colin Dewey. From Daniel Herman starting with "Loomings" at noon on Saturday, October 13, to the "Epilogue," read memorably by former San Francisco poet laureate Jack Hirschman, ending the proceedings around 1:30 p.m. on October 14, the 2018 San Francisco Moby-Dick Marathon was a great success. Organized by a committee of volunteers led by Gina Bardi, Reference Librarian at the San Francisco Maritime National Historical Park Research Center, Barrie Grenell, and Fran Hegeler and attended by over 300 readers, listeners, and supporters, the marathon was sponsored by the National Park Service, the San Francisco Maritime National Park Association, the Melville Society, Word for Word Theater, and Starbucks, which provided a complimentary bottomless coffee service throughout the night. [End Page 175] Click for larger view View full resolution The San Francisco Maritime Museum. Photo courtesy Colin Dewey. The 25-hour big event was preceded by a series of four public evening lectures delivered at the NPS Maritime Research Center at Fort Mason. This series was organized by Gina Bardi and Melville Society Executive Secretary Colin Dewey and featured four speakers who each brought a distinct and original perspective to the novel. Daniel Herman was first, with "Zen and the White Whale" on May 31. Later in the summer, on August 7, Jeffrey Hole spoke on "Herman Melville's Moby-Dick and The Fugitive Slave Act of 1850." He was followed on August 28 by James Noel's "There's No Place Like Home: Moby-Dick and Childhood Trauma." Ryan Hereford closed the series on September 6 with "' . . . But Drowned the Infinite': Reading Moby-Dick in the Wake of Climate Change." By the time the pre-marathon lecture series was finished, the maritime (and) literature community was primed to launch on its own reading. The location for the marathon was perfect: the third floor of the San Francisco Maritime Museum, which is housed in the historic former Aquatic Park Bathhouse Building. This unique structure was built in 1939 as a joint project of the City of San Francisco and the New Deal Works Progress Administration [End Page 176] in the Streamline Moderne style, mimicking the art deco lines of an ocean liner. The breathtaking panoramic views of San Francisco Bay from the third floor are enhanced by the recently restored dreamy and dazzling oceanic murals created during the 1930s by Sargent Johnson and Hilaire Hiler. As the reading of Moby-Dick progressed, we had a view of swimmers, yachts, and ships of all kinds passing by Aquatic Park on the northern San Francisco waterfront. The participants had a stunning view as the sun set past Fort Mason, which, Melvilleans should note, is on Black Point, where Jesse Benton Fremont entertained Herman Melville and a salon of local notables in her home on the evening of October 19, 1860, during his visit. The marathon commemorates that visit. Click for larger view View full resolution Amy Parsons and Colin Dewey at the San Francisco Moby-Dick Marathon. Photo courtesy Ana Rojas. The reading was attended by a diverse and enthusiastic crowd that represented San Francisco well. As the evening drew in and the fog settled on the bay, the number of readers thinned somewhat but their enthusiasm only grew while the average age decreased. As the maritime history and grey-haired bookish set drifted off, a younger crowd took their chairs and brought a whole new spirit to the night. At about 7 pm, Word for Word, a San Francisco experimental theatre group, performed chapters 36–40. Word for Word specializes in both staged readings and full dramatizations of literary works, and their [End Page 177] Click for larger view View full resolution "Miss Cora Values" (Sean Owens) reads chapter 63, "The Crotch." Photo courtesy Gina Bardi. [End Page 178] performance of "The Quarter-Deck" through "Midnight, Forecastle" was a memorable highlight of the evening. The old-timers had not disappeared completely, as evidenced by the several stalwarts who remained. After midnight, as if more...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,000 |
| Communication savante | 0,004 | 0,002 |
| Science ouverte | 0,001 | 0,003 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,810 | 0,610 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».