Art Deco of Blue-and-White Porcelain/ART DECO DE LA PORCELAINE BLEUE -BLANCHE
Notice bibliographique
Résumé
Abstract: Porcelains were once the mainstream art in Yuan, Ming and Qing dynasties, which were profuse in decoration themes and adept in decoration techniques, thus, being the perfect integration of sculpture, color, technique and artistic conception. Keywords: Porcelain, Art Deco Resume: La porcelaine bleue -blanche etait une fois l'art traditionnel dans la province de Yunan. Les dynasties des Ming et des Qing, qui etaient abondantes en themes de decoration et adeptes en les techniques de decoration, sot donc l'integration parfaite de sculpture, de couleurs, des techniques et de conceptions artistiques. Mots-cles: la porcelaine bleue -blanche, Art Deco Porcelain is a once-fired underglaze porcelain at a high temperature of about 1300°C after the porcelain body is colored with cobalt and painted with clear ceramic glaze. Underglaze cobalt will take on blue when it is fired at high temperature, and thus, being called Blue-and-White (Gao Yingzi, 2000). Since Porcelain was created in Tang Dynasty, it became the mainstream porcelain in Yuan, Ming and Qing dynasties, and even the carrier of oriental civilization for CHINA - A Country Famed for Her Porcelain. 1. THE DECORATION THEMES OF BLUE-AND-WHITE PORCELAIN The decoration themes of Porcelain covers a wide range, including daily life, historical myth, legend, nature creature, tree, flower and fruit, garden, mountain and river, dragon and phoenix, cloud and water, character pattern and religious pattern, etc. 1.1 TREE, FLOWER & FRUIT: this group of designs are usually loquat, litchi, grape, guava, cucurbit, lotus, flat peach, peony, lotus flower, chrysanthemum, plum blossom, banana, bamboo, leading an ox, lily, camellia, China rose, glossy ganoderma, etc., all of which are endued with auspicious moral, for example, lily symbolizes Love For All Seasons, twin lotus represents Love Between Two and so on. 1.2 DAILY LIFE: such as netting, farming, herding, swinging lady, frolic children, etc., which were mainly created during Jiajing Reign and Wanli (Shen Zong's reign) in Ming Dynasty by folk kilns. The scenes of people's daily lives, such as Chanting and Appreciating the Spring Scenery in Countryside, Sitting Alone to Sense the Wind Through the Pines, Urging the Guest to Stay in a Rainy Day and so on, are vividly reproduced in these peaceful, beautiful and elegant pictures, which reflect people's rich imagination and expectation for happiness, 1.3 NATURE CREATURES: This group of designs include wild goose, crane, goose, rooster, mandarin duck, magpie and peacock; and quadrupeds like tiger, deer, elephant and rabbit; insects like bee, butterfly, dragonfly and rearhorse; fish like carp, shrimp and crab, as well as some imaginative animals such as kylin and hippocampus, and dynamic dragon and phoenix and different patterns of dragons, phoenixes, clouds, water and so on. 1.4 RELIGIOUS CHARACTER PATTERNS: In these patterns, age-old branches are twisted into different Chinese characters that have auspicious meanings, some of which are quoted from surra, sanscrit, Tibetan or palindrome. The decoration themes that are related to religious doxy are usually some symbolic patterns, such as Seven Treasures, Eight Treasures, Flaming Pearl, etc. 2.THE ART DECO TECHNIQUES OF BLUE-AND-WHITE PORCELAIN The blue patterns on porcelain body are drawn with cobalt and are once-fired designs after coated by glaze. This technique has broken through the traditional decoration methods like carving, lining, printing, embossed sculpture, etc., and absorbed other crafts in cloth and gold plate decorations, which has achieved a clean and elegant decoration effect(Liang Rensheng, 1991). The decorations in Tang, Song, Yuan and Ming dynasties are mainly patterns, which are to achieve an ornamental purpose. But in Qing Dynasty, most of them are brushworks, many of which may be imitating works. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,001 | 0,001 |
| Science ouverte | 0,000 | 0,001 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,020 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».