Electronic Visualisation and the Arts (EVA 2014) - Index
Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
The Electronic Visualisation and the Arts London 2014 conference (EVA London 2014) is co-sponsored by the Computer Arts Society (CAS) and British Computer Society (BCS) - the Chartered Institute for IT, of which the CAS is a specialist group. 2014 marks the 25th Anniversary of EVA London. Over the last two decades, the EVA conference has established itself as one of London’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers in this volume touch on music, performance, electronic art, imaging technology, medical visualisation, museums and their collections, virtual communities, landscape visualisation, augmented reality, 3D imaging, interfaces, and enhanced reality, as well as other areas. The latest research by established scholars, early career researchers, practitioners, and students can be found here. For more information about EVA 2014, visit www.eva-london.org or search on Twitter for EVALondonConf. 2014 marks the 25th Anniversary of EVA London! Over the last two decades, the EVA London conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse range of interests with a specialised focus on visualisation. The EVA London 2014 conference presents a wide spectrum of papers, presentations, demonstrations, a research workshop and a special pre-conference event: “V&A Digital Futures meets EVA London”. It is a forum where the sciences, arts, humanities, and performance, are equally at home. EVA London 2014 presents 76 papers and abstracts from 24 countries, by researchers inside and outside academia, from graduate artists, PhD students, seasoned industry professionals, established scholars, and senior researchers, who value EVA London for its interdisciplinary community. This year, the conference features three keynote speakers: Prof. Sally-Jane Norman from the Attenborough Centre for the Creative Arts, University of Sussex; Dr Lizzie Jackson from Ravensbourne; and Tom Wickham-Jones from Wolfram Research. The proceedings has resulted from a highly selective peer review process, fitting as many excellent submissions as possible into the limited timetable of the conference. The papers in this volume touch on music, performance, electronic art, imaging technology, medical visualisation, museums and their collections, virtual communities, landscape visualisation, augmented reality, 3D imaging, interfaces, and enhanced reality, as well as other interdisciplinary areas. EVA London is part of a larger network of EVA international conferences. In the past twenty years, EVA events have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, Thessaloniki, and Warsaw. Further venues for EVA conferences are very much encouraged by the EVA community.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle