Notice bibliographique
Résumé
Oreste Vessella was born in Alife, Italy and he studied clarinet at the Regio Conservatory, Naples, and harmony under Camillo de Nardis. He came to the U.S. in 1901 and formed his own band in 1903. He is best known for his many summer seasons playing on Steel Pier in Atlantic City. His band also appeared at Brighton Beach, Long Beach and Ocean City. Tours covered the northeastern and Midwestern U.S. as well as eastern Canada. A limited biography of Vessella has been published in volumes 2 and 3 of the Heritage of the Band by William Rehrig, edited by Paul Bierley and self-published by Bierley with the assistance of Robert Hoe. A letter to Bierley from Oreste Vessella dated December 4, 1961 states Vessella suffered from a light stroke which affected only his right leg. In an article published in The Instrumentalist, dated September 1961, he wrote, I have been striving and shall continue to strive to give my beloved America the best that band music can offer. Research is needed to publish a biography of Oreste Vessella, nephew of a great Italian band director and composer Alessandro Vessella and brother of Marco Vessella. Oreste Vessella and Vessella' s Italian Band recorded for the Victor Company from 1911 to 1914 and for the Brunswick Company from 1920 to 1926. A total of five sides were done for the dwindling single-sided market. Victor double-sided records were first issued in 1909, following Columbia's introduction of double-sided records in 1908. The format for Victor records is to list the popular series 10 discs in numerical order in both the single-sided and double-sided versions. The 12 single-sided and double-sided records follow. The ethnic releases are last, again in numerical sequence. The ethnic series was offered to the public primarily in areas known to have concentrations of people of specific European countries. It is not known whether or not these ethnic recordings were sold in the respective overseas countries. It is possible that some of the 60,000 and 70,000 ethnic series recordings were sold in various Latin American countries. It is almost certain that the 90,000 series was sold exclusively in Latin countries such as Argentina, Brazil, Chile and others. Following the commercial number, the title is given. Frequently, the recorded selection is part of a major multisectional work. The title of the major work is listed in capitals, followed by that of the selection. In some cases subtitles may be listed, as well as the English translation of an Italian title. The composer's name follows. Occasionally, Vessella's Italian Band is referred to as Vessella's Band. Where indicated, a soloist is named. Most of Vessella's band recordings are not rare. Even the few ethnic recordings not made for the popular series are easily found. Impossible to find in the U.S. are the 90,000 series. This writer owns all the popular series, both 10 and 12 and the ethnic recordings not issued in the popular series, but has never seen any of the 90,000 series. The Discography Victor Company 10 Single Side 5845 Cradle Song, Lullaby (Wiegenlied) (Johannes Brahms, Op. 44, No. 4) - Michele Rinaldi, cornet solo with Vessella's Italian Band 10 Double Side 16883-B Blushing Maiden March (Oreste Vessella) - Vessella's Italian Band 1689 1 -A Inglesina March (D. Delle Cese) 16899-A Funiculi Funicula (Luigi Denza) - with chorus -B O Sole Mio (My Sunshine) (Eduardo di Capua) - Michele Rinaldi, cornet solo with Vessella's Italian Band 16900-A Maria Mari (Eduardo di Capua) - Vessella's Italian Band -B Addio Napoli (Farewell to Naples) (Raffaele Ascolege) 16976 La Spagnola (Vincenzo di Chiara) - Bianca Natale, piccolo solo with Vassella's Italian Band (no A or B side; this selection not released) 17216-A Samson and Delila: (My Heart at Thy Sweet Voice) (Camille Saint-Saens) - Michele Rinaldi, cornet solo with Vessella's Italian Band 17272-A Traumerei (Robert Schuman, Op. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,002 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,002 |
| Communication savante | 0,002 | 0,001 |
| Science ouverte | 0,000 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,028 | 0,010 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».