Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2019
Notice bibliographique
Résumé
October 01 2020 Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2019 Sheila Pinkel, Sheila Pinkel Search for other works by this author on: This Site Google Scholar Jennifer (Juniper) Harrower, Jennifer (Juniper) Harrower Juniper Harrower: jharrower@ucsc.edu. PhD thesis, University of California Santa Cruz, 2019. Search for other works by this author on: This Site Google Scholar Janna Ahrndt, Janna Ahrndt Janna Ahrndt: janna.ahrndt@gmail.com. MFA thesis, Purdue University, 2019. Search for other works by this author on: This Site Google Scholar Rain Ashford, Rain Ashford Rain Ashford: r.ashford@gold.ac.uk PhD thesis, Goldsmiths, University of London, 2018. Search for other works by this author on: This Site Google Scholar Kristin Carlson, Kristin Carlson Kristin Carlson: kacarl1@ilstu.edu. PhD thesis, Simon Fraser University, 2016. Search for other works by this author on: This Site Google Scholar Kathleen Deck, Kathleen Deck Kathleen Deck: enviroenvision@gmail.com. MFA thesis, University of California Santa Cruz, 2019. Search for other works by this author on: This Site Google Scholar Mario Duarte, Mario Duarte Mario Duarte: mduarte@enesmorelia.unam.mx. PhD thesis, University of Manchester, 2017. Search for other works by this author on: This Site Google Scholar Lucie Lederhendler, Lucie Lederhendler Lucie Lederhendler: lucie.lederhendler@gmail.com. MA thesis, Concordia University, 2019. Search for other works by this author on: This Site Google Scholar Joo Yun Lee, Joo Yun Lee Joo Yun Lee: jooyun.lee01@gmail.com. PhD thesis, Stony Brook University, 2018. Search for other works by this author on: This Site Google Scholar Louise Mackenzie, Louise Mackenzie Louise Mackenzie: info@loumackenzie.com. PhD thesis, BxNU, Northumbria University, 2017. Search for other works by this author on: This Site Google Scholar Giusy Pirrotta, Giusy Pirrotta Giusy Pirrotta: pirrotta.giusy@gmail.com. PhD thesis, UCA Farnham and University of Brighton, 2018. Search for other works by this author on: This Site Google Scholar Sanjay Sahota, Sanjay Sahota Sanjay Sahota: sahotasanjay918@gmail.com. MA thesis, Cardiff Metropolitan University, 2018. Search for other works by this author on: This Site Google Scholar Valentina Serrati, Valentina Serrati Valentina Serrati: valentinaserratisisa@gmail.com. MA thesis, Goldsmiths University of London, 2017. Search for other works by this author on: This Site Google Scholar Vygandas “Vegas” Šimbelis, Vygandas “Vegas” Šimbelis Vygandas “Vegas” Šimbelis: vygandas@kth.se. PhD thesis, KTH Royal Institute of Technology, Stockholm, Sweden, 2018. Search for other works by this author on: This Site Google Scholar Chelsea Thompto, Chelsea Thompto Chelsea Thompto: chelseathomptoart@gmail.com. MFA thesis, University of Wisconsin Madison, 2019. Search for other works by this author on: This Site Google Scholar Clea T. von Chamier-Waite, Clea T. von Chamier-Waite Clea von Chamier-Waite: cleawaite@gmail.com. Ph.D. thesis, University of Southern California, 2019. Search for other works by this author on: This Site Google Scholar Karla Zavala, Karla Zavala Karla Zavala: kzavalabarreda@gmail.com. Master's thesis, Aalborg University, 2018. Search for other works by this author on: This Site Google Scholar Adriaan Odendaal Adriaan Odendaal Adriaan Odendaal: adriaan.odendaal1@gmail.com. Master's thesis, Aalborg University, 2018. Search for other works by this author on: This Site Google Scholar Author and Article Information Sheila Pinkel LABS Editor-in-Chief, Leonardo International Co-Editor Jennifer (Juniper) Harrower Juniper Harrower: jharrower@ucsc.edu. PhD thesis, University of California Santa Cruz, 2019. Janna Ahrndt Janna Ahrndt: janna.ahrndt@gmail.com. MFA thesis, Purdue University, 2019. Rain Ashford Rain Ashford: r.ashford@gold.ac.uk PhD thesis, Goldsmiths, University of London, 2018. Kristin Carlson Kristin Carlson: kacarl1@ilstu.edu. PhD thesis, Simon Fraser University, 2016. Kathleen Deck Kathleen Deck: enviroenvision@gmail.com. MFA thesis, University of California Santa Cruz, 2019. Mario Duarte Mario Duarte: mduarte@enesmorelia.unam.mx. PhD thesis, University of Manchester, 2017. Lucie Lederhendler Lucie Lederhendler: lucie.lederhendler@gmail.com. MA thesis, Concordia University, 2019. Joo Yun Lee Joo Yun Lee: jooyun.lee01@gmail.com. PhD thesis, Stony Brook University, 2018. Louise Mackenzie Louise Mackenzie: info@loumackenzie.com. PhD thesis, BxNU, Northumbria University, 2017. Giusy Pirrotta Giusy Pirrotta: pirrotta.giusy@gmail.com. PhD thesis, UCA Farnham and University of Brighton, 2018. Sanjay Sahota Sanjay Sahota: sahotasanjay918@gmail.com. MA thesis, Cardiff Metropolitan University, 2018. Valentina Serrati Valentina Serrati: valentinaserratisisa@gmail.com. MA thesis, Goldsmiths University of London, 2017. Vygandas “Vegas” Šimbelis Vygandas “Vegas” Šimbelis: vygandas@kth.se. PhD thesis, KTH Royal Institute of Technology, Stockholm, Sweden, 2018. Chelsea Thompto Chelsea Thompto: chelseathomptoart@gmail.com. MFA thesis, University of Wisconsin Madison, 2019. Clea T. von Chamier-Waite Clea von Chamier-Waite: cleawaite@gmail.com. Ph.D. thesis, University of Southern California, 2019. Karla Zavala Karla Zavala: kzavalabarreda@gmail.com. Master's thesis, Aalborg University, 2018. Adriaan Odendaal Adriaan Odendaal: adriaan.odendaal1@gmail.com. Master's thesis, Aalborg University, 2018. Online Issn: 1530-9282 Print Issn: 0024-094X ©2020 ISAST2020ISAST Leonardo (2020) 53 (5): 552–558. https://doi.org/10.1162/leon_a_01942 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Sheila Pinkel, Jennifer (Juniper) Harrower, Janna Ahrndt, Rain Ashford, Kristin Carlson, Kathleen Deck, Mario Duarte, Lucie Lederhendler, Joo Yun Lee, Louise Mackenzie, Giusy Pirrotta, Sanjay Sahota, Valentina Serrati, Vygandas “Vegas” Šimbelis, Chelsea Thompto, Clea T. von Chamier-Waite, Karla Zavala, Adriaan Odendaal; Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2019. Leonardo 2020; 53 (5): 552–558. doi: https://doi.org/10.1162/leon_a_01942 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsLeonardo Search Advanced Search This content is only available as a PDF. ©2020 ISAST2020ISAST Article PDF first page preview Close Modal Supplementary data Future with Forest FireEnviro-Envision at the Receivership exhibition, the future RCP 8.5 featuring forest fire. (© Kathleen Deck)- jpeg file Contraelegía for fixed media The piece was conceived as a summary of DNA’s text-based sonification techniques. The work was based upon two texts, the poem Contraelegía by José Emilio Pacheco and a short story by José Agustín, called Transportarán un cadaver por express. These narratives inspired the structure and musical discourse of the piece. (© Mario Duarte 2017)- mp3 file A View From The Train Yard - SpringThe video "View From the Train Yard" describes the most common mode of relationship between the public and the feral land of the Falaise Saint-Jacques. From the perspective of a commuter, this ancient geological formation appears like little more than a sound barrier. (© Lucie Lederhendler 2019)- mp4 file 3047_ Avatar/ (.jpg 3 MB)3047 is an interactive video-installation performed between a fictional avatar and its “original” model. Video-performance as a creative practice, introduce into an installation environment, reflects on the concept of performativity as a way to acquired knowledge not from mere representation but through lived experience. (Images © 2017, Valentina Serrati)- jpeg file Humanizing Interactive TechnologyComplete paper. (© Vygandas “Vegas” Simbelis)- pdf file Metaphone - mp4 file Ice-Time_360 (2019) by Clea T. Waite and Angelika von ChamierThe Ice-Time mediascape architecture explores the notion of the body-information interface in an immersive cinema. The immersive video architecture and ambisonic soundscape afford a kinesthetic reception of image and sound experienced in real space – a subjective experience of diegetic time. (© Clea T. Waite & Angelika von Chamier)- mp4 file You do not currently have access to this content.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,001 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».