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Enregistrement W304798865

At Home and Abroad: Éowyn's Two-fold Figuring as War Bride in The Lord of the Rings

2007· article· en· W304798865 sur OpenAlexaboutno aff
Melissa L. Smith

Notice bibliographique

RevueMythlore · 2007
Typearticle
Langueen
DomaineArts and Humanities
ThématiqueThemes in Literature Analysis
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésRomanceGloryWifeBattleLiteratureHistoryArtLawAncient historyPhilosophyTheologyPolitical science
DOInon disponible

Résumé

récupéré en direct d'OpenAlex

RAISED IN THE COMPANY of great warriors, in a society that has taught her to glorify the battle-arts, Eowyn, Lady of Rohan, seems an unlikely choice as a participant in Lord of the Rings' single romantic storyline. Noble, cold, and stern, she desires to find death, not to renew life; she searches for glory, not healing. Yet, amid the carnage and hopelessness of combat in Return of the King, J.R.R. Tolkien develops a courtship centered on Eowyn, one that is ultimately imbued with the same ethos that surrounded the young women of World Wars and II. (1) Eowyn, shield-maiden of the Rohirrim, and Faramir, a former captain newly succeeded to the title of Steward of Gondor, figure principally in what is popularly termed a wartime romance--a relationship characterized by an accelerated intimacy attributed to the pressures and fears of war, including the uncertainty of prolonged separation and death. As Tolkien constructs it, however, Eowyn's attachments are not so simplistically binary: Aragorn, son of Arathorn, has also attracted her affections, creating a system that actually allows for a comprehensive representation of the several incarnations of the World Wars' brides. Eowyn's respective relationships with Aragorn and Faramir thus cast her in the dual roles of war bride-left-behind and foreign war bride, and while comparison of her experiences with the courtship, marriage, and assimilation experiences of women in the war-torn twentieth century reveal her to be a negative example of the former, she is clearly, for Tolkien, a positive exemplar of the latter. Though not usually pinpointed as a social issue in past periods of international warfare, the principles that lie behind the concept of the bride make it a timeless and world-encompassing phenomenon--perhaps every bit as old as the span of human history. (2) Yet the term bride is itself a relatively new one, seeming to rise into prominence in the social and cultural upheavals of the First World that Tolkien experienced so intimately. Indeed, the first citation of the term's use in the Oxford English Dictionary--a project that famously provided Tolkien with his first post-war job (3) (researching for the W's, no less [Gilliver, Marshall & Weiner 7])--is dated 1918, the year the Great ended (War). OED aside, the term appears often in the literature and even in the pop culture of the time. Writing during the First World War, for example, a woman named Ruth Wolfe Fuller, whose husband was drafted into the United States army two months after their marriage, subtitled her brief reminiscences, The Experiences of a Bride. Even earlier, in September of 1914, a short play entitled War Brides was written by Marion Craig Wentworth and was staged for the first time in January of 1915 (Wentworth 6). Detailing the choices of women in a war-torn country, Wentworth's drama enjoyed some notable success in the climate of the times. Little different is the climate of the Second World War; the term bride surfaced repeatedly in the media, in movies like Was a Male Bride (1949), starring Cary Grant, and in popular radio shows, like McGee and Molly. In one episode of McGee, aired on 3 March 1941, Fibber receives a letter informing him that he is to report for induction into the army, as he has been drafted into the Armed Services. Although the letter turns out to be a copy of his original World One draft notice, Fibber is convinced throughout the episode of the letter's contemporary authenticity. Upon hearing of her husband's seeming re-call into the army, his wife Molly cries, Imagine me! A war bride! Again! Molly's dismay at the prospect of a repetition of her experiences confirms that the previous war had produced a social figure that was being recognizably reproduced in 1941. brides from Molly's generation even saw enough common experience between themselves and the new brides to introduce themselves on those terms--one newlywed from London who had made Canada her new home wrote, I recall that the day after arrived a friend of my husband's family came to call. …

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,001
score de la tête « metaresearch » (Gemma)0,001
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,066
Score d'incertitude au seuil0,131

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0010,001
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0190,004
Communication savante0,0050,005
Science ouverte0,0010,005
Intégrité de la recherche0,0020,005
Charge utile insuffisante (le modèle a refusé de juger)0,0120,002

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,009
Tête enseignante GPT0,233
Écart entre enseignants0,224 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreEmpirique

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations4
Publié2007
Routes d'admission1
Résumé présentoui

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