The Carving of Canada: A Tale of Parliamentary Gothic/The Liberators/Captured in Stone: Carving Canada's Past/Out of Muskoka/Tales of Courage, Stories from Eastern Ontario's Remarkable Past/Waging Peace, Poetry and Political Action/A Boy All Spirit, Thoreau MacDonald in the 1920s
Notice bibliographique
Résumé
Munroe Scott, The Carving of Canada: A Tale of Parliamentary Gothic (Ottawa: Penumbra Press, 1999), 176pp. Paper. $19.95. ISBN 0-9212-5493-8. Munroe Scott, The Liberators (Ottawa: Penumbra Press, 2001), 223pp. Paper. $21.95. ISBN 1-8941-3121-5. Eleanor Milne with K. Barbara Lambert and Eleanor Moore, Captured In Stone: Carving Canada's Past (Ottawa: Penumbra Press, 2002), 95pp. Cloth. $29.95. ISBN 1-8941-3132-0. James Bartleman, Out of Muskoka (Ottawa: Penumbra Press, 2002), 192pp. Cloth. $29.95. ISBN 1-8941-3131-2. Bernard Chevrier, Tales of Courage, Stories From Eastern Ontario's Remarkable Past (Ottawa: Penumbra Press, 2002), 128pp. Paper. $19.95. ISBN 1-8941- 3130-4. Susan McMaster (ed.), Waging Peace, Poetry and Political Action (Ottawa: Penumbra Press, 2002), 144pp. Paper. $24.95. ISBN 1-8941-3137-1. John W. Sabean (ed.), A Boy All Spirit, Thoreau MacDonald in the 1920s (Ottawa: Penumbra Press, 2002), 304pp. Cloth. $39.95. ISBN 1-8941-3129-0. Penumbra Press is one of scores of small Canadian publishers that are turning out some of Canada's finest books. One of the press's most prolific authors is Munroe Scott. In 2001, Penumbra published Scott's The Liberators, a raucous novel set in late 1830s, in post-rebellion Upper Canada where anti-government activity continued on islands in the St Lawrence, near Cornwall, even after William Lyon Mackenzie had fled the colony. Scott and his editor at Penumbra are currently polishing Scott's memoirs, which will give readers a glimpse of this man's range and durability, from film to biography and fiction. In late 2002, Penumbra published Eleanor Milne's Captured in Stone: Carving Canada's Past, a companion piece to another of Munroe Scott's books, The Carving of Canada. Both books deal with the same subject, the history of Canada, from pre-contact to 1914, as represented in the flora, fauna and people carefully carved into the Indiana limestone of the foyer leading to Canada's House of Commons. The work was carried out during the last half of the twentieth century. Eleanor Milne, Dominion Sculptor from 1962 to 1993, was the woman who headed the massive project. In Scott's book she becomes an obscure mythological figure called 'Ti'Elen. The difference between the two books is one of method: while Scott has a mythical 'Old One' describe the carvings and the history they represent, Captured in Stone uses analytical narrative, the more traditional historical method. Milne explains styles of architecture and art, from Romanesque to Neo-Gothic, as well as stone-carving methods, from design to process and tools. Captured in Stone is beautifully illustrated, mostly in black and white, with two or three fullpage colour photographs of the entire foyer, which show that the interior of this Neo-Gothic building is arguably as beautiful as the interiors of the European cathedrals whose style its architects and carvers emulated. Also recently published by Penumbra is James Bartleman's Out of Muskoka, a short, elegantly written memoir. Few readers will be unmoved by his rise from poverty and discrimination to the top of the diplomatic and vice-regal life in Canada. (Today he is Lieutenant-Governor of Ontario.) Born in 1939, Bartleman grew up in a canvas tent and a series of uninsulated frame shacks around Port Carling, some three hours drive north of Toronto. At school, epithets such as 'dirty halfbreed' were hurled at the family. The future looked gloomy until one day along came a fairy godfather, an American millionaire on holiday in Muskoka. He paved the road to higher education and diplomacy. All is well until one night in Cape Town, an intruder, equipped with an electric prong of high voltage, manages to breach the posh hotel's tight security. He manages to get inside Bartleman's room where he prods, gags and robs the diplomat, who survives only to suffer from mental depression and nightmares, which return him in memory to childhood poverty in Muskoka. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,002 |
| Études des sciences et des technologies | 0,034 | 0,013 |
| Communication savante | 0,008 | 0,003 |
| Science ouverte | 0,001 | 0,003 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,015 | 0,002 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».