Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance
Notice bibliographique
Résumé
October 01 2020 Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance Lisa Homann, Lisa Homann Guest Dialogue Editor; Associate Professor, Department of Art & Art History, UNC Charlotte; UNC Editorial Board Member, African Arts Consortium Search for other works by this author on: This Site Google Scholar UCLA Editorial Board, UCLA Editorial Board Search for other works by this author on: This Site Google Scholar Jean Borgatti, Jean Borgatti Consulting Curator, African, Oceanic, and Native American Art, Fitchburg Art Museum, Fitchburg, MA; Visiting Fellow, Clark University and Boston University; Professor, Art History, University of Benin, Benin City, Nigeria (2013–2017) Search for other works by this author on: This Site Google Scholar Akinwumi Ogundiran, Akinwumi Ogundiran Chancellor's Professor, University of North Carolina, Charlotte Search for other works by this author on: This Site Google Scholar Silvia Forni, Silvia Forni Senior Curator of African Arts and Cultures and Deputy Head, Department of Art and Culture, Royal Ontario Museum Search for other works by this author on: This Site Google Scholar Christopher Slogar, Christopher Slogar Associate Professor of Art History, California State University, Fullerton Search for other works by this author on: This Site Google Scholar Sylvester Okwunodu Ogbechie, Sylvester Okwunodu Ogbechie Professor of Art History and Visual Cultures of Global Africa, University of California Santa Barbara Search for other works by this author on: This Site Google Scholar Charlotte Joy, Charlotte Joy Lecturer, Department of Anthropology, Goldsmiths College, University of London Search for other works by this author on: This Site Google Scholar Kevin MacDonald Kevin MacDonald Professor of African Archaeology, Institute of Archaeology, University College London Search for other works by this author on: This Site Google Scholar Author and Article Information Lisa Homann Guest Dialogue Editor; Associate Professor, Department of Art & Art History, UNC Charlotte; UNC Editorial Board Member, African Arts Consortium UCLA Editorial Board Jean Borgatti Consulting Curator, African, Oceanic, and Native American Art, Fitchburg Art Museum, Fitchburg, MA; Visiting Fellow, Clark University and Boston University; Professor, Art History, University of Benin, Benin City, Nigeria (2013–2017) Akinwumi Ogundiran Chancellor's Professor, University of North Carolina, Charlotte Silvia Forni Senior Curator of African Arts and Cultures and Deputy Head, Department of Art and Culture, Royal Ontario Museum Christopher Slogar Associate Professor of Art History, California State University, Fullerton Sylvester Okwunodu Ogbechie Professor of Art History and Visual Cultures of Global Africa, University of California Santa Barbara Charlotte Joy Lecturer, Department of Anthropology, Goldsmiths College, University of London Kevin MacDonald Professor of African Archaeology, Institute of Archaeology, University College London Online Issn: 1937-2108 Print Issn: 0001-9933 © 2020 by the Regents of the University of California.2020The Regents of the University of California African Arts (2020) 53 (4): 17–23. https://doi.org/10.1162/afar_a_00548 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Search Site Citation Lisa Homann, UCLA Editorial Board, Jean Borgatti, Akinwumi Ogundiran, Silvia Forni, Christopher Slogar, Sylvester Okwunodu Ogbechie, Charlotte Joy, Kevin MacDonald; Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance. African Arts 2020; 53 (4): 17–23. doi: https://doi.org/10.1162/afar_a_00548 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentAll JournalsAfrican Arts Search Advanced Search In light of current debates surrounding collecting histories and possible restitution of cultural heritage, it is not a stretch to say that our field is in the midst of a significant self-reevaluation. This journal is no exception. African Arts currently has no policy requiring authors to document the provenance of objects addressed in its pages, although the editorial consortium has initiated the adoption of a set of standards. While unease over publishing works of questionable provenance is not new, the concern is a particularly vital one for African Arts, which publishes scores of high-quality color images in each issue, both online and in print. The recent publication in African Arts of a Research Note spurred discussion among the journal's editorial boards. The essay focuses on archaeological ceramics identified as Bura and... © 2020 by the Regents of the University of California.2020The Regents of the University of California You do not currently have access to this content.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,001 |
| Études des sciences et des technologies | 0,002 | 0,002 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».