For the Forest, See the Trees : How Can Architecture Engage With the Issues Between the Logging Industry and the Landscape?
Notice bibliographique
Résumé
Canada sits on a perilous edge amidst outcries of potential exponential environmental degradation. Both guilty of indulgent extraction and fortunate to still be rich in natural assets, it sits in between a pair of two divergent roads. Whether in a rural or logging town or within the urbanized Greater Vancouver area, most British Columbians live in the vicinity of forests, their houses are made primarily out of wood, and many are employed in some aspect of the forestry industry. Creative minds have long drawn inspiration from the Canadian wilderness and people of all ages recreate on lake shores or mountain slopes. There has also been a resurgence of wood innovation within the architecture industry and a newly generated excitement for the sustainable material. This research into logging in British Columbia through a design lens offers a discursive opportunity to investigate how Canadian culture is bound to the forest and how the logging industry is elusively woven within that. The study of logging in British Columbia allows for a fascinating venture into a rich mixture of politics, ethics, ecology, artistry and identity. What it uncovers is that a persisting settler mindset has drastically transformed and influenced Canadian political, logistical, urban, and physical landscapes. Although not exclusively problematic, it has proven to be an overwhelming force that is largely misaligned from Canadian values. Recent news suggests that since 1993, more than thirty percent of remaining old growth forest on Vancouver Island were destroyed” (Lavoie, 2019). Tweaks to the system have been made over time to alleviate issues, but with old growth logging, raw log export, climate issues, and slow regulatory adaptation, an imperfect industry remains. These broad, overarching, tendencies can be derived through the analysis of not only the history of logging, but in how forests have been treated and represented in the past several hundred years. These treatments and representations come in the form of both the architecture and art that was produced over the past several centuries. This project will be both architectural and representational, as it is steeped in the belief that these practices serve as valuable mediums with which to understand Canadian culture and allow for glimpses into a new future. From this exploration, not only will the development of logging and its current issues become more readily apparent, but the way in which Canadian identity is entirely entwined with that of the forest will emerge. Consequently, in an effort for art and architecture to move beyond serving as reactive reflections of current paradigms, it’ll attempt to set the stage for how these mediums can produce new theoretical frameworks and design interventions that attempt to connect the industry of logging with our deeply rooted values in the landscape.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».