An Introduction to Hebrew Lit: Congruency, Clash, and Collision
Notice bibliographique
Résumé
Contemporary Hebrew Literature An Introduction to Hebrew Lit Congruency, Clash, and Collision by Yiftach Ashkenazi & Dekel Shay Schory Guest-edited by Dekel Shay Schory & Yiftach Ashkenazi Yiftach Ashkenazi is the author of three novels and two collections of short stories. He has also published poems, short stories, and literary reviews in local magazines as well as stories and reviews published in English and German. In 2016 he won the Prime Minister’s Prize for Hebrew Literary Works and the Rotenstreich Scholarship for Outstanding Doctoral Student in the Humanities. At the moment, he is completing his PhD and writing a thriller TV series for an Israeli cable network. Dekel Shay Schory is an Israeli-born literary scholar and editor who teaches in the Department of Hebrew Literature at the Ben-Gurion University of the Negev. In 2016 Schory founded, with Yigal Schwartz and Moria Dayan Codish, a series of fiction books, Ruach Tzad (Side Wind). Over twenty books, published to critical and public acclaim, have appeared in the last three years. 56 WLT WINTER 2021 DEKEL SHAY SCHORY / PHOTO BY IDIT WAGNER • YIFTACH ASHKENAZI / PHOTO COURTESY OF THE AUTHOR 58 Alma Igra 61 Amichai Chasson 62 Maayan Eitan 65 Sigal Naor Perelman 66 Nino Biniashvili 68 Moria Dayan Codish 70 Maya Tevet Dayan 71 Ruby Namdar 74 Shira Stav SPECIAL SECTION J ewish literature, Israeli literature, Hebrew literature. From a distance they might seem like three circles with quite a large congruency between them, almost absolute. Looking closer, these are three identity components that more than once clash and collide with one another . The writers in this special section write in Hebrew and work through their Jewish and Israeli identities, reflecting their lives in Israel and outside of it. Reading these works as a whole, we hope, allows for a different and complex outlook on Israeli society and the literature written from within it today. The ensemble presented here is greatly varied: it is composed of short stories, a graphic story, poems, an essay, and visual artworks. It is created by writers and artists who belong to different generations and come from different places in Israel and the world, and the topics they’re interested in range from food, prophecy, love, family, danger, madness, and also a cat. Interestingly , in a time of cessation and withdrawal, the voices arising from Hebrew literature in this issue present, in fact, movement and even restlessness; one story takes place by the Gaza border, others in the suburbs of New York, Jerusalem, and Tel Aviv, but also Georgia (the country) and Canada. Immigration looms strongly, to and from Israel, like a wandering Jew stepping side by side with literature and language. Many world readers have a clear idea about Israel and Judaism. Many readers have a clear idea about Israeli literature and its political/national character. We hope that this short anthology will offer a few surprises and present readers with something new. Ben-Gurion University WORLDLIT.ORG 57 MEYTAR MORAN, THE CRATER, FROM THE BLACK MAGIC SERIES (2014–2015), MEYTARMORAN.COM ...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,003 | 0,003 |
| Études des sciences et des technologies | 0,004 | 0,004 |
| Communication savante | 0,006 | 0,005 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,002 | 0,004 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,047 | 0,013 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».