Notice bibliographique
Résumé
Peter Petro, ed. Critical Essays on Kundera. Critical Essays on World Literature. New York: G. K. Hall & Co, 1999. xi, 293 pp. Selected Bibliography. Index. $49.00, cloth. A of reviews, interviews, open letters, articles and essays that focus on the Czech emigre writer Kundera, this volume was released by the series Critical Essays on World Literature, edited by Robert Lecker. After a short Introduction by Peter Petro, there follow four main sections: Reviews, Interviews, Open Letters, and Articles and Essays. latter is the largest, containing 13 articles. Although the volume's Selected Bibliography is rather brief (only one page), it contains the comprehensive works of Aji, Banerjee, and Misurella. Aji's and the Art of Fiction is the most recent critical work on the list (1992). volume ends with a short alphabetical Index of names and terms, which contains references to writers, musicians, philosophers and political figures mentioned by (e.g., Broch, Cervantes, Gombrowicz, Janacek, Kafka, Heidegger, Musil, and Nietzsche), and to recurring themes in his works (e.g., Europe, eroticism, kitsch, the Prague Spring, and totalitarianism). There are also short references to Barthes and Sartre as these appear in the articles about and interviews with Kundera. These are primarily used as a contrast to Kundera's specific concept of the novel (Sartre) and the explicit role of the author in his work (Barthes). This section also contains references of critics to the few instances in which explicitly speaks about Nietzsche (The Unbearable Lightness of Being (1984) and Testaments Betrayed: an Essay in Nine Parts [1995]). Two brief biographical entries by the editor and the general editor of the series complete the volume. For the most part, the volume is a of previously published material. As the editor explains: ... many scholars and critics felt that... reviews, interviews, and specially commissioned essays by noted specialists in Czech literature should be collected in order to further elucidate both Kundera's past works... and those that were published after the appearance of the Aji collection (p. 2). We learn from Petro's Introduction that this is a remake of Aji's. section Articles and Essays contains only four new pieces; they are by Marjorie Rhine, Marketa Goetz-Stankiewicz, Karen von Kunes, and Maria Banerjee. first two focus on Kundera's recent novel Slowness (1996), the others on Testaments Betrayed and Unbearable Lightness of Being. All the articles deal with Kundera's works written after his first novel, Joke (1967). contributions to this section are ordered more or less so as to discuss his works chronologically. first three focus on Joke and the last two on Slowness. There is a general emphasis on the former and on Unbearable Lightness of Being. There is no discussion of Kundera's most recent novel, Identity (1998). section opens with Jungmann's Kunderian Paradoxes (1992), which focuses on the writer's early literary past in former Czechoslovakia, but does not treat his works (poetry, plays and theory) explicitly. This is a short and critical piece that denounces Kundera's conscious creation of a literary persona, especially in the West. Equally critical is Kimball's The Ambiguities of Kundera (1986), which takes to task for refusing to assume a clear political stand and to admit a fundamental difference between the East and the West. Kimball believes that concepts such as kitsch allow [Kundera] to maintain a pose of critical distance without the inconvenience of having to make the hard choices that genuine criticism involves (p. 207). third article to focus on Kundera's political importance is Matejka's Milan Kundera's Europe (1990), which considers in a factual way the Czech novelist's role in the debate on Central Europe. …
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,018 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».