Notice bibliographique
Résumé
Reviewed by: Antigone réal. par Sophie Deraspe Miléna Santoro Deraspe, Sophie, réal. Antigone. Int. Nahéma Ricci, Maison, 4: 3, 2019. With twenty years of experience, Quebec filmmaker Sophie Deraspe is not a newcomer, but with this seventh feature which she directed, wrote, and shot, she has reached a broader audience than her previous work, including Rechercher Victor Pellerin (2006), Les signes vitaux (2009), and Les loups (2015). Inspired by Sophocles's drama (referenced by an advertisement on the side of a bus for a production of Œdipe Roi), and filtered through versions by Brecht (quoted on a blackboard) and Anouilh, this filmic adaptation also recalls the scandalous 2008 police shooting of Fredy Villanueva in Montreal. Deraspe reworks these sources through a family of Algerian immigrants who carry the original Sophoclean names and tragic destiny: here, Antigone's eldest brother, Étéocle, is shot by the police, and her delinquent brother Polynice is arrested and will be tried at eighteen as an adult. The brilliant, fiercely loyal Antigone defies the law, devising Polynice's escape from prison by changing clothes with him, helped by her Arabic-speaking grandmother, Ménécée, and her sister Ismène. Antigone and Polynice do more than cross-dress: she is heroically determined and devoted to her family, while he admits to being weak, a "nul" who squanders his sister's sacrifice, resulting in the deportation of all but Ismène, who just wants "une vie normale." Deraspe modernizes other features of the Greek tragedy, using the voices of activist and gang youths as the equivalent of the chorus or "choeur," a word that appears twice on a fence sign, underscoring the reference. The film breaks into sequences suggesting, with split-screens and strident music, the use of social media like Twitter and TikTok-style videos by Antigone's boyfriend Hémon. His graffiti of her, captioned with her catch-phrase "Mon coeur me dit," go viral on social media and television and contribute to the escalating tensions between the protagonist and the authorities, represented by courts or the St. Rose Detention Center for teen girls where Antigone spends much of the film's second half. The red logo of her face, made into wearables, also recalls the "carré rouge" of Quebec's 2012 student protests. The simulated twitter feeds point to racist and sexist attitudes towards immigrants like Antigone, while Hémon and his politician father, Christian, provide a counterweight of kindness, although Antigone's and Hémon's love and loyalty lay bare Christian's political and personal compromises. Deraspe's film, which offers a provocative exploration of urban youth culture, immigrant trauma, gender and social inequality, and media manipulation, was Canada's nomination for best international feature for the 2020 Academy awards, and won three top prizes at Whistler, the 2020 Prix collégial du cinéma québécois, and the Canada Goose for Best Canadian Feature at TIFF. While [End Page 228] revisiting Antigone's inspiring figure of resistance is not new, what makes this film compelling is the performance of the Montreal-born, Tunisian-French lead actress, Nahéma Ricci: her penetrating gaze, enhanced by the vibrant red or blue of her clothing, stays with the viewer long after the film's final freeze frame, recalling in intensity Falconetti's 1928 performance as Dreyer's Jeanne d'Arc. Miléna Santoro Georgetown University (DC) Copyright © 2020 American Association of Teachers of French
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,000 | 0,001 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,002 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».