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Enregistrement W4205546314 · doi:10.1353/ohq.2011.0044

Women's Votes, Women's Voices: The Campaign for Equal Rights in Washington by Shanna Stevenson

2011· article· en· W4205546314 sur OpenAlexaboutno aff
Rebecca Mead

Notice bibliographique

RevueOregon Historical Quarterly · 2011
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueArchaeology and Rock Art Studies
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésRock artArchaeologyPlateau (mathematics)HistoryFoothillsArtGeographyCartography

Résumé

récupéré en direct d'OpenAlex

 OHQ vol. 112, no. 1 The volume’s first paper, by Don Hann, James D. Keyser, and Phillip Cash Cash, summarizes known ethnographic material regarding the purpose and function of rock art within the Columbia Plateau.Information from more than twenty Plateau groups is used to show that most of the rock art is probably shamanistic, and associated with personal spirit quest activity , while some is shamanic, the product of a religious specialist. In the second paper, David Kaiser examines the imagery of Plateau rock art from the perspective of neuropsychology, arguing that specific motifs may represent entopic forms “seen” in the altered states of consciousness experienced during the vision quest. Kaiser’s research focuses on a specific design element, the rayed arc, common to Plateau rock art, where it appears often as a “halo” over the human head. Three other papers in this volume are sitespecific in their content and include Keyser’s study of the rock art at Fisher’s Landing, in Clark County, Washington; a paper by Kaiser and Keyser on Rood Canyon Rockshelter,in the Blue Mountain foothills, eastern Oregon; and a paper on two sites in the Fremont National Forest, southeast Oregon, written by Keyser, Poetschat,and Johannes Loubser.Keyser’s documentation of the Fisher’s Landing site,largest in the Portland-Vancouver metropolitan area, is detailed and thorough. Assessing the function of the carvings,which include hundreds of cupules and a remarkable bedrock bowl in the form of a beaver,he reviews ethnographic data relating to the forms represented,and suggests a shamanic use of the site related to weather control and salmon migration. The Rood Canyon paintings provide a marked contrast to the Fisher’s Landing rock art. Here are rare examples of historic-period “biographic” art, including horse and rider images more common to the Northwestern Plains and frequently associated with depictions of warfare.Different still is the rock art from the Fremont National Forest, with its ties to the geometric imagery of the Klamath Basin.The focus here,however, is not strictly documentation and analysis but also the methodology of rock art conservation and restoration, including lichen removal. The final contribution, by D. Russel Micnhimer and LeeAnn Johnston, is a brief summary of newly discovered rock art from throughout eastern Oregon. With this final piece, we are reminded that now, nearly fifty years after the Lorings launched their project, sites continue to be rediscovered and documented , adding to our knowledge of this most ancient indigenous art form. Although specialized in content, Rock Art of the Oregon Country: Honoring the Loring’s Legacy will appeal to armchair archaeologists and professionals alike, and particularly those with an interest in Pacific Northwest Native art traditions. Richard McClure Gifford Pinchot National Forest Women’s Votes, Women’s Voices: The Campaign for Equal Rights in Washington by Shanna Stevenson Washington State Historical Society, Tacoma, 2009. Illustrations, notes, bibliography, index. 127 pages. $24.95 paper. Every state should have a book like this one, although Washington State has played an unusually dramatic and influential role in the history of women’s rights. Stevenson’s book is one product of a remarkable initiative, the Washington Women’s History Consortium, which was established by the state legislature in 2005. Working through the Washington State Historical Society, and partnering with many other historical institutions in the state, the Consortium has collected an extensive amount of primary source material related to Washington women’s history, made it available on the web, and developed an exhibit  Reviews to commemorate the centennial of woman suffrage in Washington in 2010. This book summarizes these results in an attractive and readable format, supplemented by numerous images,timelines,short biographies,footnotes, and a bibliography. In addition to its appeal for general readers, it will be a great resource for teachers who wish to incorporate women’s history into their curricula. The first three chapters focus on the woman suffrage movement in Washington. Chapter 1 discusses initial efforts to win suffrage from the territorial legislature, the speaking tour of Abigail Scott Duniway and Susan B. Anthony through the region, the foundation of the first suffrage organizations, and changes in the legal status of women, primarily relating to...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Comment cette classification a été obtenuedéplier

Prédiction machine sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.

score de la tête « metaresearch » (Codex)0,004
score de la tête « metaresearch » (Gemma)0,004
Version: metacan-v3-hybrid-931329e0061cStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: Sans objet
GenreSignal candidat: Synthèse · Signal consensuel: aucune
Score de désaccord entre enseignants0,066
Score d'incertitude au seuil0,132

Scores du classifieur distillé par catégorie (deux têtes)

CatégorieCodexGemma
Métarecherche0,0040,004
Méta-épidémiologie (sens strict)0,0010,001
Méta-épidémiologie (sens large)0,0010,000
Bibliométrie0,0010,001
Études des sciences et des technologies0,0230,006
Communication savante0,0100,006
Science ouverte0,0010,006
Intégrité de la recherche0,0070,010
Charge utile insuffisante (le modèle a refusé de juger)0,0180,002

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,030
Tête enseignante GPT0,256
Écart entre enseignants0,226 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle

Classification

machine, non validée

Prédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.

Les modèles n’ont appliqué aucune catégorie : rien dans la taxonomie ne correspondait à ce travail.
Devis d'étudeSans objet
Domainenon disponible
GenreSynthèse

Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».

En bref

Citations0
Publié2011
Routes d'admission1
Résumé présentoui

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