MétaCan
Menu
Retour à la cohorte
Enregistrement W4206437801 · doi:10.1353/wlt.2016.0033

Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq

2016· article· en· W4206437801 sur OpenAlex

Pourquoi ce travail est dans la base

Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.

aboutLe titre ou le résumé porte un signal canadien du lexique géographique.
no affAucune affiliation canadienne : ce travail est invisible pour une base fondée sur la seule affiliation.
Aucune affiliation canadienne. Une base fondée sur la seule affiliation (le devis habituel) n'aurait jamais vu ce travail. C'est l'un des travaux qui justifient l'inversion de la base.

Notice bibliographique

RevueWorld Literature Today · 2016
Typearticle
Langueen
DomaineSocial Sciences
ThématiqueMiddle East and Rwanda Conflicts
Établissements canadiensnon disponible
Organismes subventionnairesnon disponible
Mots-clésMemoirContext (archaeology)JournalismMedia studiesHistoryPoliticsLawSociologyPolitical scienceArt historyArchaeology

Résumé

récupéré en direct d'OpenAlex

Sarah Glidden. Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq. Montreal. Drawn & Quarterly. 2016. 304 pages. Despite their constant presence in the news, the countries traversed in this welcome graphic docu/memoir are still as alien to many North American readers as they are to the independent journalists depicted in these pages. Sarah Glidden’s project is twofold: to try to define journalism on her travels as an observer and to record the human fallout of the Iraq War in the region. In 2010 she accompanied several journalists in the Seattle Globalist coalition, who wanted to cover stories ignored in the mainstream media, on a two-month trip to the Middle East in order to document their trip. Also traveling with them was an American college student, Dan, who had done a tour in Iraq. The potential conflicts, both personal and political, in the little traveling group quickly become apparent. Glidden is both documenting the trip and recording her own interactions— hence my sobriquet “docu/memoir.” There are also sections where she provides necessary historical background and relevant contemporary statistics, filling the reader in on the context of the situations the roving journalists encounter. As Sebastian Meyer, an American photojournalist they meet, says, “If you’re a good journalist with good ethics, you give it context. If taken out of context it would be incorrect, then you don’t tell it.” This discussion of journalistic ethics and practices runs throughout the texts and panels and is clearly the didactic thrust of the book. The drawing style is simple and even naïve, with an occasional beautifully rendered landscape or fabric. But the characters are vivid—with snippets of text and mostly two-dimensional drawing, Glidden manages to elaborate some complicated encounters. The group meets many Iraqi and Kurdish refugees, including Sam, a Kurdish man who had served in the Iraqi army and deserted. When Saddam went in search of Kurdish deserters, Sam fled to Iran where his wife eventually committed suicide. He then took his baby daughter and went to Pakistan, which accepted him as a UN refugee. He remarried, had another child, and was approved for resettlement to Seattle, but when he applied for US citizenship after five years, he was deported because of what he called unjust accusations . His story has many holes—was he caught up in something he didn’t understand , was he used, or is he a terrorist? All he wants is to be reunited with his family, who are still in Seattle. Who is the bad guy here? This complex story, with no resolution , is one of several, and it illustrates the kind of story the reporters are seeking to place in context. There are many touching moments and the kind of ambiguity that comes with people’s lives and rationales, especially with the vet, Dan. Along with telling moving stories, Glidden does an excellent job of drawing our attention to the successes and pitfalls of journalism—in fact, this book— which begins and ends with the question, “What is journalism?”—could function as an innovative journalism textbook. Rita D. Jacobs New York City Margo Jefferson. Negroland. New York. Pantheon Books. 2015. 256 pages. Margo Jefferson, acclaimed journalist and critic, has written a tour de force on the black privileged class. Hers is an artful and complicated memoir that achieves what countless other accounts of the black privileged class (fiction and nonfiction) have not been able to do with success. (Dorothy West’s account in The Living Is Easy is somewhat sentimental in the sheer awe Jana Prikryl The After Party Tim Duggan Books Walking a fine line between urbane and universal, Jana Prikryl impresses with this debut collection of verse. With language both precise and playful, these poems act as the ideal party host, finding the reader where he or she may be and gently encouraging the conversation between the audience and the great American poetry tradition. Dorthe Nors So Much for That Winter Trans. Misha Hoekstra Graywolf Press So Much for That Winter is composed of two novellas, both about a Danish woman’s lost love, both told in a unique form. At once clinical and poetic, the stories chronicle, first in...

Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.

Prédiction distillée sur la base complète

Imitation des enseignants

Ni prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.

score de la tête « metaresearch » (Codex)0,000
score de la tête « metaresearch » (Gemma)0,000
Version: codex-gemma-dda1882f352aStatut de validation: machine_predicted_unvalidated
Catégories candidatesaucune
Catégories consensuellesaucune
DomaineSignal candidat: aucune · Signal consensuel: aucune
Devis d'étudeSignal candidat: Sans objet · Signal consensuel: aucune
GenreSignal candidat: Empirique · Signal consensuel: Empirique
Score de désaccord entre enseignants0,944
Score d'incertitude au seuil0,756

Scores Codex et Gemma par catégorie

CatégorieCodexGemma
Métarecherche0,0000,000
Méta-épidémiologie (sens strict)0,0000,000
Méta-épidémiologie (sens large)0,0000,000
Bibliométrie0,0000,000
Études des sciences et des technologies0,0000,000
Communication savante0,0000,000
Science ouverte0,0000,000
Intégrité de la recherche0,0000,000
Charge utile insuffisante (le modèle a refusé de juger)0,0010,000

Scores machine (provisoires)

Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.

Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.

Tête enseignante Opus0,012
Tête enseignante GPT0,252
Écart entre enseignants0,240 · la distance entre les deux têtes enseignantes sur ce seul travail
Statut de validationscore_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle